Showing 1 - 10 of 47
The beat of Soweto
Life, John Clewley, Published on 04/07/2023
» Simon "Mahlathini" Nkabinde, known as the "Lion Of Soweto", was not allowed to leave South Africa until the mid-1980s, when he was invited to perform at a pioneering festival of music in Angouleme, France, along with the three Mahotella Queens, the musical engine the Makgone Tsohle Band, and producer and saxophonist West Nkosi.
Nostalgia from Somalia
Life, John Clewley, Published on 25/10/2022
» Mogadishu in Somalia in the mid-1980s was a crossroads where Africa, Asia and Europe joined, where hotels like the Al-Uruba competed with other luxury venues to host some of the Indian Ocean's most potent popular music. Situated right on Lido beach, the distinctive Al-Uruba building with Arabic and Somali architectural influences had a little-known recording studio.
Seen and heard
Life, John Clewley, Published on 11/10/2022
» It has been nearly 30 years since Dr Grace Nono released her first album on a new label, Tao Music, which she set up with her late partner, producer and guitarist Bob Aves. With her musical collaborator, she set about searching for her musical identity.
A woman in a man's world
Life, John Clewley, Published on 19/07/2022
» US R&B legend Big Mama Thornton is one of the forgotten "originators", to use Dr John's term for Professor Longhair, of rock'n'roll. The late Alabama native, who died almost exactly 38 years ago on July 25, 1984, recorded the first version of Leiber and Stoller's Hound Dog in 1952. After the record was released in 1953, it reached the top spot on Billboard's Rhythm & Blues Records Chart and sold 2 million copies. It was her biggest hit, but it paled in comparison to young Elvis Presley's version, which sold more than 10 million copies and helped propel Presley to global fame.
African releases enchant
Life, John Clewley, Published on 01/02/2022
» The World Beat desk has been inundated with new releases in the past few weeks as record labels begin to get back on track. Three outstanding albums from Africa have been playing regularly on the World Beat sound system: Pape Nziengui's Kadi Yombo (Awesome Tapes From Africa); Rokia Kone and Jacknife Lee's Bamanan (Real World); and the Ano Nobo Quartet's The Strings Of Sao Domingos (Ostinato).
Time to do the soukous
Life, John Clewley, Published on 12/10/2021
» Congolese rumba, sometimes called rumba Lingala or rumba Congolais, is likely to join khon, a Thai masked dance drama, khaen music of Laos, chapei dang veng of Cambodia, Cuban son and Dominican bachata on Unesco's Intangible Cultural Heritage list. In August this year, the two countries from the Congo Basin, the Democratic Republic of the Congo (DRC) and the Republic of the Congo (ROC), announced a joint bid to add Congolese rumba to the list.
Queen of Molam honoured
Life, John Clewley, Published on 28/09/2021
» The late National Artist Bunpheng Faiphiuchai featured on Google Doodle last week, as the search engine celebrated what would have been her 89th birthday on Sept 22. She was one of the most influential molam performers of her generation, and a pioneer in the recording of molam on vinyl. According to Google Doodle's blurb, by 1955 she had recorded "more full-length albums than any other woman in the genre" and that is why she was the first molam to be given the title "Queen Of Molam".
Return of Doumbia
Life, John Clewley, Published on 20/07/2021
» Over the past half-century, the land-locked West African nation Mali has produced some terrific singers and bands.
Eclectic music to soak in
Life, John Clewley, Published on 08/06/2021
» I once spent several weeks travelling around Southern Italy, camping in Puglia and Calabria.
A smoother blue from North Mississippi Allstars
Life, John Clewley, Published on 13/04/2021
» In 2014, I wrote a review about the unique sound of blues rockers North Mississippi Allstars (NMA), whose music is rooted in the "fife and drum" culture of North Mississippi. Unlike in the Mississippi delta, which has a distinctive brand of guitar-driven blues, North Mississippi African-American hill country musicians use fifes (a small shrill flute used in 19th-century military bands), fiddles, banjos, tambourines, snare drums and a huge bass drum to create their local sound.