Showing 21 - 30 of 174
Eating our way through 2019
Life, Vanniya Sriangura, Published on 27/12/2019
» Over the last 12 months, Life reviewed more than 80 restaurants. Here, we list the 10 that we think most deserve a return visit in 2020
The age of angst
B Magazine, Chanun Poomsawai, Published on 01/12/2019
» Maybe it's a sign of the times, but taking a look at the young, emerging artists of today, you might notice that a great many of them tend to speak openly about their anxieties and insecurities. Much like her contemporaries Mitski, Hana Vu and Beabadoobee, 18-year-old singer Griff channels all of these feelings through unfiltered lyrics that read like a page out of her diary.
This woman's work
B Magazine, Chanun Poomsawai, Published on 24/11/2019
» "A woman's work/ A woman's prerogative/ A woman's time to embrace/ She must put herself first," the opening verse of Mary Magdalene from FKA twigs' latest full-length album is sung from the perspective of a fallen woman whose fate runs parallel to that of the titular figure. Following her much publicised break-up with actor Robert Pattinson as well as some serious health issues, the English artist finds common ground with the Biblical character.
Off the leash
B Magazine, Chanun Poomsawai, Published on 20/10/2019
» "Dogs whine to communicate their physical, mental and emotional states..." At first glance, Dogwhine's artist bio reads like the opening to a freshman's college essay. Then, out of the blue, what initially appears to be a direct quote from the dictionary turns into a sly jab at the absurd prohibition on political gatherings of five or more people imposed by the junta: "Not all whines are created equally. Sometimes dogs gather to whine in group. When they come together more than five, they often get chased or taken away." Like hip-hop firebrands Rap Against Dictatorship who brought us the brilliant anti-junta Prathet Ku Mee (What's My Country Got), this Bangkok five-piece are unapologetically political from the outset.
Portrait Of An Artist
B Magazine, Chanun Poomsawai, Published on 06/10/2019
» "I just don't wanna be back in this place again/ I mean, I done cried a little/ Tried a little, failed a little/ I don't wanna do it again," Brittany Howard confesses on History Repeats, a funky opener to her solo debut Jaime. Built on acid jazz and neo-soul groove, the song bustles with the genre-blurring spirit of her former band Alabama Shakes and her own irreverent energy. Singing those words, Howard sounds empowered and energised like a weight has been lifted. "History repeats and we defeat ourselves/ Come on everybody, one more time again," before you know it, the song turns into an infectious anthem, leaving in its wake a glimpse into her self-discovery that would go on to define the rest of the album.
From where we stood
Life, Karnjana Karnjanatawe, Published on 19/09/2019
» Standing on the ground, I looked up to the cliff above Phet Pho Thong Cave in Sa Kaeo's Klong Hat district. My trainer and guide, Kosol Thianthong told me that he chose the easiest route for my group to try abseiling. The height is about 10m. It didn't look that high from where we stood.
The most famous four notes in music history
Life, Published on 15/05/2019
» Compositions by Mozart and Beethoven to celebrate His Majesty the King's coronation.
Cut above the rest
B Magazine, Chanun Poomsawai, Published on 12/05/2019
» We first heard the name Cut The Crab back in 2014 when their single Mai Mee Kam Tob (Without Doubt) was featured in the Future Sound Of Bangkok's envelope-pushing debut compilation. Besides being one of the most forward-thinking records of that year, the compilation also gave us a sample of what local talents were capable of. Along with eclectic artists ranging from DCNXTR and Gramaphone Children (Jaree Thanapura) to Nolens.Volens. and Plastic Section, Cut The Crab stood out among the gifted bunch as a highly promising newcomer with a keen ear for electro-pop brilliance. Even though the band hasn't been exactly prolific over the past few years, the trio-turned-duo are now back at it with the release of their self-titled debut EP, a six-track collection that's been nearly half a decade in the making.
Returning to form
B Magazine, Chanun Poomsawai, Published on 31/03/2019
» It's hard to believe it's been nearly two decades since Ladytron unleashed its own version of electropop to the world. Hailing from Liverpool, the quartet of Helen Marnie, Mira Aroyo, Daniel Hunt and Reuben Wu first introduced themselves with their 2001 debut 604, a solid 16-track collection heavily influenced by the likes of Kraftwerk, New Order and Depeche Mode. In a period when the UK charts sounded a little uninspired (the No.1 singles ranged from JLo's Love Don't Cost A Thing to Limp Bizkit's Rollin' to Afroman's Because I Got High -- you get the idea), Ladytron's simmering cauldron of synth-pop and electro-industrial almost felt like an act of rebellion.
James Blake's Changing Form
B Magazine, Chanun Poomsawai, Published on 10/03/2019
» "Now I'm confiding, know I may have/ Gone through the motions my whole life/ I hope this is the first day/ That I connect motion to feeling," James Blake wears his heart on his sleeve on the piano-driven opener/title track of his fourth studio album, Assume Form. The candid openness with which Blake addresses depression and anxiety, the struggles he's confessed of having since his 2011 debut album took off, is stunning to witness especially for an artist whose career is mostly built on nuances, abstraction and negative spaces.