Showing 1 - 10 of 41
A sick man, on a tour of hospital hell
Life, Kong Rithdee, Published on 07/05/2021
» The Death Of Mr. Lazarescu came out in 2005 and cemented the cinematic potency of the Romanian New Wave and their brand of droll, deadpan and relentlessly realistic movies about life in the ex-socialist state. The film premiered at the Cannes Film Festival 2005 and now, 16 years later, The Death Of Mr. Lazarescu is buried deep in the algorithm of Netflix. But it's there if you look, and I'm bringing it up today because its story of public healthcare apocalypse and accumulated absurdities experienced by a patient trying to find a hospital bed seems more timely, more wickedly serendipitous, than ever.
Memories buried in soil
Life, Kong Rithdee, Published on 19/07/2019
» Memories and war, illusory borders and invisible scars: These themes are resonant in two documentary films shown late last month at the SAC Film Festival (hosted by the Princess Maha Chakri Sirindhorn Anthropology Centre). In the Thai documentary Din Rai Dan (Soil Without Land), a Tai Yai man in Shan state talks about his life as a waiter in Bangkok and as a soldier in his ethnic army. In the Vietnamese film The Future Cries Beneath Our Soil, a group of men in a rural village bear the indelible wounds of the Vietnam War, still stinging after 40 years.
An imperfect world
Life, Kong Rithdee, Published on 21/05/2019
» Even on the ground at the Cannes Film Festival, what people seemed to be anticipating most on Monday was, well, the final episode of Game Of Thrones. No, it wasn't being shown at the festival (how unbecoming that would be), but isn't it a sign of our times that a TV episode has the Valyrian-steel nerve to dominate global discussion and upstage the world's biggest film showcase?
A note on Thailand Biennale
Life, Kong Rithdee, Published on 02/01/2019
» One recent morning at Nopphrat Thara beach, the high tide flooded the lower part of a strange, interwoven structure. Rising from the blue water of the bay, it looked like an island, a new, unmapped island of Krabi visible from this popular spot where tourists visit and board tour boats to outlying islands.
Asean films receive special showcase
Life, Kong Rithdee, Published on 04/07/2018
» The riches of Southeast Asian stories and images are celebrated at the 4th Bangkok Asean Film Festival, which opens tonight at SF CentralWorld and runs until Sunday. Hosted by the Thai Ministry of Culture, this year's edition marks the 51st anniversary of the Association of Southeast Asian Nations, the regional body whose primary mission is economics and which increasingly pays more heed to cultural promotion.
Bridging times and cities
Life, Kong Rithdee, Published on 06/06/2018
» On a recent visit to Bangkok, Baron Patrick Nothomb recalled the tremors of anxiety when the Thai-Belgian bridge was about to be assembled 30 years ago.
Dream, murder and reality
Life, Kong Rithdee, Published on 18/05/2018
» The 11-day Cannes Film Festival will close tomorrow, and as the race for the Palme d'Or is the most breathtaking in years, we look at some of the highlights of the second week of the world's largest movie festival
A surprise behind the door
Life, Kong Rithdee, Published on 09/03/2018
» The house sits deep in the woods, near a cemetery staked with tombstones. The family consists of a father, reeling in debt, and his four children, the eldest 22 and the youngest six. The mother is ill, ashen-faced, bedridden, and she'll jingle the brass bell in her hand to summon help. That jingling bell, and the apparition of a woman in a white gown in the mother's gloomy bedroom, will signal the cue of many jump-scares in the tale that unfolds.
A new vision on Siam's enduring symbol
Life, Kong Rithdee, Published on 26/04/2017
» The elephant and the man, walking down the road to redemption and encountering the wounded and the marginalised, the madmen and the prostitutes. In the film Pop Aye, which will kick off Bangkok Asean Film Festival 2017 this evening (see sidebar), the fine-tusked beast accompanies the lost soul as the duo find their way home from Bangkok to the Northeast.
Scarlett does non-human, again
Life, Kong Rithdee, Published on 31/03/2017
» It's possible that when we all die and are reborn as cyborgs or aliens, we'll look like Scarlett Johansson: white and bewildered, gamine-haired and supremely athletic, fierce on the outside and gentler within. The actor's recent list of post-human roles is impressive. She is an extraterrestrial seducer sucking men's souls in Under The Skin; a human-CPU-God hybrid in Lucy; a cybernetic assassin in Ghost In The Shell, which is our subject today. Mind you, even devoid of her physical self, she still embodies the voice of artificial intelligence, as in Her, in which she purrs her way into the consciousness of that world.