Showing 1 - 9 of 9
Bonds that can't be broken
Life, Amitha Amranand, Published on 29/07/2021
» Some digital theatre productions that I've seen since the pandemic began have tried to make up for the loss of intimacy and sensory experience that live audience participation allows and the sense of connection to the performance and each other. Sometimes our participation makes the show or is the focus of the show. We the audience help tell the story.
Pearls of wisdom
Life, Amitha Amranand, Published on 22/05/2019
» Nana Dakin is a familiar name on the Thai theatre scene. The member of B-floor Theatre is known for her intelligent and sensitive pieces of physical theatre that deal with such issues as identity, migration and violence.
Transmitting human angst
Life, Amitha Amranand, Published on 01/03/2018
» Second time's a charm for Fullfat Theatre at Warehouse 30. The company returns to the space that had dwarfed and overwhelmed the troupe's first play [Co/exist] with its sheer size and uninsulated high ceiling. With the new play, Taxiradio, playwright-director and Fullfat co-founder Nophand Boonyai has successfully tamed the rugged space to achieve not only live performance suitability, but also intimacy.
FAR from heaven
Life, Amitha Amranand, Published on 18/01/2018
» The path to heaven, as paved by B-Floor Theatre at Democrazy Theatre Studio, is literally a dark, slippery and holey (no pun intended) one. Ornanong Thaisriwong's latest creation, Sawan Arcade, is a stunning spectacle. But its political message is not nearly as potent or affecting as her previous solo performance, Bang La Merd.
Grace, beauty - and self-discovery
Life, Amitha Amranand, Published on 01/12/2017
» Unfolding Kafka Festival 2017 ended in Chiang Mai on Sunday. This year, under themes of gender identity, animals and folding and unfolding of the body and objects, the festival's performing arts programme doubled in size. Life reviews all the seven performances presented in Bangkok.
Life's agonies, magnified three-fold
Life, Amitha Amranand, Published on 24/08/2017
» Theatre director Bhanbhassa Dhubthien may not be known for novel or subversive interpretations of plays, but she has always worked with good actors, from whom she draws out the kind of nuanced performances we don't often see here in Thailand. She has also worked with texts of varying degrees of difficulty and ripeness. So even when the writing fails, her actors can always steer the production from complete disaster.
The joyful, melancholic plastic dance
Life, Amitha Amranand, Published on 15/06/2017
» Without much direct contact with the human hands, French multidisciplinary performing-arts company Non Nova breathes life into plastic bags. And slowly, a ballet emerges.
Something in the air
Life, Amitha Amranand, Published on 08/06/2017
» When Phia Ménard and her company Non Nova first came to Thailand in 2011 with P.P.P., they were playing with ice. This time, they are playing with wind. As part of La Fête, Non Nova is presenting L'Après-midi D'Un Foehn, a ballet of plastic bags set to Claude Debussy's composition of the same title, and Vortex, a performance exploring identity and transformation. The two shows continue today and tomorrow at the Sodsai Pantoomkomol Centre for Dramatic Arts, Faculty of Arts, Chulalongkorn University.
Freedom of the stage
Life, Amitha Amranand, Published on 22/05/2015
» Ornanong ThaisriwongPerformer, director | B-Floor TheatreRecent work: Bang La MerdUp next: See Wan Nai Deun Kanya (Four Days In September)