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LIFE

Searching for Prokofiev

Life, Ung-Aang Talay, Published on 18/03/2014

» Today, a few miscellaneous items and recommendations. A few weeks back while discussing Andrew Litton’s recent BIS recording of Prokofiev’s Sixth Symphony with the Bergen Philharmonic, I lamented the current unavailability in any format of Eugene Ormandy’s old Columbia recording of the piece with the Philadelphia Orchestra. Litton’s account is very good, as are others by conductors like Jarvi, Weller and, especially, Mravinsky, but it was Ormandy who best traced the link between Prokofiev’s gift for long-lined, heartbreaker themes — those in the first two movements of this symphony, for example — and the achievement of Russian Romantic composers like Tchaikovsky and Rachmaninov.

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LIFE

Terminally odd opera

Life, Ung-Aang Talay, Published on 25/06/2013

» Sometimes the recordings that stay in the catalogue for decades, that leap from format to format and refuse to slip into the limbo of the deleted and forgotten, are not the ones you would expect. No one is surprised that Furtwaengler's Beethoven or Toscanini's Verdi can be clicked on Amazon, but it is less of a given that the American composer Virgil Thomson's own 1947 abridged recording of his 1928 opera, Four Saints In Three Acts, should still be with us after all these years.

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LIFE

She's got rhythm

Life, Ung-Aang Talay, Published on 13/11/2012

» Is there any kind of music that is out of bounds for the American pianist Jenny Lin's stylistic perfect pitch? Her range seems limitless with each new recording revealing a new facet of her musical personality. To date her repertoire on disc ranges from Schumann and Liszt through Mompou, the early Soviet experimentalists, and Ruth Crawford Seeger to modernists as diverse as John Cage and Valentin Silvestrov. A high point is one of the finest of the many recordings of Shostakovich's 24 Preludes And Fugues.