Showing 1 - 10 of 49
State of art in Singapore
Life, Thana Boonlert, Published on 15/05/2025
» As Singapore marks its 60th anniversary of independence, the Singapore International Festival of Arts (SIFA) returns boldly with the theme of "More Than Ever". While presenting the largest showcase of homegrown talent, the annual performing arts festival is expanding its landscape with an international bent.
Viennese masterclass
Life, James Keller, Published on 20/02/2025
» In what must surely rank as a standout concert in the entire four-plus decades of the Royal Bangkok Symphony Orchestra, the ensemble was joined recently by acclaimed Austrian violinist Daniel Froschauer at the Thailand Cultural Centre for a resoundingly successful collaborative performance of Beethoven's genial Septet In E-flat Major Opus 20 and Brahms' mighty Symphony No.1 In C Minor Opus 68.
Rhapsody In Blue – a timeless American classic
Life, John Clewley, Published on 19/11/2024
» On Feb 12, 1924, a concert organised by popular jazz band leader Paul Whiteman was held at the Aeolian Hall in New York City. Despite the cold and snow, the show was jam-packed not only with music fans but also composers like Sergei Rachmaninov and John Philip Souza and popular actors like Gertrude Lawrence.
RBSO plays Holst for Queen Suthida
Life, James Keller, Published on 18/06/2024
» In honour of birthday celebrations of Her Majesty Queen Suthida Bajrasudhabimalalakshana, and in collaboration with the Tourism Authority of Thailand, Ministry of Culture and B.Grimm, the Royal Bangkok Symphony Orchestra (RBSO) delivered another high-spirited performance at the Thailand Cultural Centre recently. Directed by Resident Conductor Vanich Potavanich, the first item on the programme could hardly have been any more suitable as a tribute to the universal majesty of royalty.
Guru's Weekly Buzz: June 7-13
Guru, Published on 07/06/2024
» Guru By Bangkok Post's pick of the most exciting products, activities, food and travel to indulge in.
RBSO hosts special concert to honour Her Majesty Queen Suthida
Life, Published on 03/06/2024
» The Royal Bangkok Symphony Orchestra under the baton of Vanich Potavanich presents "Andrew Simon Plays Mozart's Clarinet Concerto" in honour of HM Queen Suthida Bajrasudhabimalalakshana, at the Main Hall of Thailand Cultural Centre, Ratchadaphisek Road, on Friday at 7.30pm.
RBSO presents a night of Hungarian masterpieces
Life, Published on 16/04/2024
» To mark 155 years of Austro-Hungarian and Thai relations, the Royal Bangkok Symphony Orchestra Foundation presents "The Hungarian Legends" concert in the Main Hall of Thailand Cultural Centre, Ratchadaphisek Road, on April 27 at 7.30pm.
Strings of diplomacy
Life, James Keller, Published on 29/02/2024
» With the generous support of the Tourism Authority of Thailand and B.Grimm, the Royal Bangkok Symphony Orchestra (RBSO) gave an uplifting concert in mid-February in celebration of His Majesty the King's Sixth Cycle Birthday Anniversary and the 420th anniversary of cordial relations between the kingdoms of Thailand and the Netherlands.
Fusing different musical worlds
Life, John Clewley, Published on 13/02/2024
» Klezmer is the music of Ashkenazi Jews, who created the music in Central and Eastern Europe in the 16th century. Although mainly instrumental, the music is usually sung in Yiddish. It was hugely popular before the destruction of Yiddish communities in Central Europe during the Holocaust. Professional Klezmer musicians who escaped to the US founded large klezmer orchestras in the first two decades of the 20th century, who competed with jazz ensembles and Irish big bands in New York.
A harmonious blend
Life, James Keller, Published on 26/12/2023
» A highly energised Royal Bangkok Symphony Orchestra rounded off a hugely successful 2023 concert season mid-December with a cleverly conceived and designed programme titled "Orient Et Occident", with each performance alternating between compositions by Western and Eastern composers. By now, frequent visiting English conductor Douglas Bostock certainly knows how to inspire this orchestra to the very best of its abilities, and the opening La Princesse Jaune Overture by Camille Saint-Saëns was duly performed with a delightfully assured élan. The utterly charming faux-exoticism which the composer conjures was played with innocent, abundant joy, whilst a central lush string section showed off those particular ranks in an extremely positive light.