Showing 1 - 10 of 39
Freedom, creatively speaking
Life, Kaona Pongpipat, Published on 22/02/2017
» In many ways, "Condemned To Be Free", a duo exhibition which just opened last week at WTF Gallery, is in a constant state of flux. On the first floor, artist Kritsada Duchsadeevanich looks simultaneously at the transformation of his own political ideology and that of the country's political history. On the upper floor, painter Tawan Wattuya leaves out his watercolours and turns the gallery into an experimental space where the lines between art and activism, the authority of an artist and voice of ordinary people, are blurred.
Exposure is key to Chiang Mai photography exhibition
Life, Kaona Pongpipat, Published on 25/01/2017
» The room is red and hot, but nothing feels erotic about it. Eight naked models are featured in Tada Hengsapkul's latest photography show "The Things That Take Us Apart", yet it resulted not in a height of sexual tension but just a seemingly normal and civilised social gathering.
Looking upward through the camera's lens
Life, Kaona Pongpipat, Published on 18/11/2016
» Broccoli Revolution has for some time been known as a dream spot for vegan food, but that's not all it has to offer. Housed in the venue is the recently launched Case Art Space, and in its upcoming exhibition "Sky" will showcase photography from youth who participated in the FACES/NOW Art Therapy Programme.
The elephant in the room
Life, Kaona Pongpipat, Published on 17/11/2016
» Last weekend, Something Missing, a performance by South Korea's Theatre Momggol and B-Floor Theatre, which won Best Movement-based Performance from the International Association of Theatre Critics (Thailand Centre) last year, was back at Thong Lor Art Space for its second instalment, called The Rite Of Passage.
Fair winds
Life, Kaona Pongpipat, Published on 10/11/2016
» In the waters off Hua Hin's coastline, all was calm at first. Then, all of a sudden, a strong wind picked up, sending a young boy and his sailing dinghy to clash with another boat, which was leading the race.
By approval
Life, Kaona Pongpipat, Published on 26/10/2016
» The most pressing issue in the capital's art scene this month is, of course, the well-being of some hundred carp put in the temporary pool as part of photographer Rapat Bunduwanich's "Photo Festival", a show whose title tricks us into thinking that there are other people in the show.
Never forget
Life, Kaona Pongpipat, Published on 05/10/2016
» In a stage performance that just finished its run on Sunday, performers re-enacted scenes in which victims were hunted, beaten and strangled to death. In an art exhibition opening tomorrow, we'll see in paintings traces of atrocious scenes in the foreground while the surface is heavily smudged with paint, to the point of abstraction.
Rock of ages
Life, Kaona Pongpipat, Published on 20/09/2016
» In 1992, Moderndog as students went onstage in The Coke Music Award with the sole intention of messing things around -- it was at the time a relatively sombre affair with a lot of bands opting for jazz. "It was the only chance we had to make loud noise in the Chulalongkorn University Auditorium," said the band's lead singer Thanachai Ujjin in a recent interview with Life.
The politics of love
Life, Kaona Pongpipat, Published on 08/09/2016
» Thanapol Virulhakul, critically-acclaimed stage director and choreographer, has a way of giving space a certain significance. His take is usually minimalistic, the stage bare and his actors assigned with limited set of movements, and it is the relentless repetition of those elements that would slowly make up the storyline and become part of the blow in the end.
Threading her way through Islam
Life, Kaona Pongpipat, Published on 08/09/2016
» The painting looks computerised, yet there are imperfections as if it was made by hand. Looking closely, the forms on the work seem abstract, yet from afar, they are clearly human figures kneeling down as if praying. Entitled Jamaah 2, an Arabic term loosely meaning the act of doing good in congregation with the community, the work is by Thidarat Chantachua, and it was the winner of the 2015 UOB Painting of the Year Award in the Established Artist Category.