Showing 1 - 4 of 4
Hear her roar
Life, Kong Rithdee, Published on 26/05/2023
» The image of a girl taking off her hijab is wrought with cinematic symbolism. Kamila Andini shows it in her Indonesian film Yuni (2021); Hesome Chemamah in his Thai short I'm Not Your F*cking Stereotype (2019); Ana Lily Amirpour in the Iranian vampire film A Girl Walks Home Alone At Night (2014). Subversion? Provocation? Liberation? At this year's Cannes Film Festival, we see that image in Amanda Nell Eu's Tiger Stripes, a work as playful as it is potent in its portrayal of adolescence and what it entails for a young woman's body.
In pandemic times, all the gaming world's a (concert) stage
AFP, Published on 14/05/2020
» NEW YORK - With concerts on hold to halt coronavirus spread, the gaming world is increasingly catering to music lovers, with artists becoming animated performers in virtual realms to the trippy delight of millions.
Dreaming awake
B Magazine, Chanun Poomsawai, Published on 21/07/2019
» "What's that? (I may be paranoid, but no android)/ What's that? (I may be paranoid, but no android)," Thom Yorke sings on the lead single off Radiohead's third studio album, 1997's OK Computer.
Nostalgic for the future
B Magazine, Chanun Poomsawai, Published on 26/07/2015
» Tame Impala's exhilarating third album experiments with bold new sonic gimmicks, but it manages to retain his distinctive ’70s psychedelic sound