Showing 1 - 3 of 3
Fast, not furious
Life, Tatat Bunnag, Published on 11/04/2022
» Niche filmmaker Nawapol "Ter" Thamrongrattanarit has a great knack for making small and simple stories into big ones. Most of Nawapol's movies revolve around the daily lives of people in the big city. In 2015, Nawapol defined his first major studio film Heart Attack as "a routine life of a freelance graphic designer". Or Happy Old Year, a high drama film from 2019 in which he simply replied in an interview: "A story about home reorganisation." But most Nawapol fans know that those movies are more profound than the simple definition of the director.
Asean films receive special showcase
Life, Kong Rithdee, Published on 04/07/2018
» The riches of Southeast Asian stories and images are celebrated at the 4th Bangkok Asean Film Festival, which opens tonight at SF CentralWorld and runs until Sunday. Hosted by the Thai Ministry of Culture, this year's edition marks the 51st anniversary of the Association of Southeast Asian Nations, the regional body whose primary mission is economics and which increasingly pays more heed to cultural promotion.
In search of the next hit
Life, Kong Rithdee, Published on 26/06/2015
» A string of box-office failures, an absence of hits, an onslaught of Hollywood blockbusters, an economic slump, the vacillating, unpredictable taste of audiences — all of this has plunged the Thai film industry into a gloom in the first half of 2015. Home-grown cinema can barely compete with the American juggernauts, but the past six months have been particularly wounding. Usually, Thai films take around 25% of the ticket sales, with Hollywood gobbling up the rest (the total box office value was around 4.5 billion in last year). This year, so far, local movies took a paltry 10%, according to industry analysts.