Showing 1-10 of 74 results
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When East meets West
Life, John Clewley, Published on 17/01/2023
» In 2017, the Japanese band Minyo Crusaders released their debut album, Echoes Of Japan (P-Vine, Japan), to great acclaim. The band's reworking and updating of Japanese folk music, or minyo, on a rhythmic bed of Caribbean, Latin and Afrobeat was truly inspired, and perhaps pointed the way for other fusion bands in East and Southeast Asia. The aim was to revive minyo as "music for the people", as quoted by World Music Central.
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Back to their best
Life, Tatat Bunnag, Published on 26/08/2021
» Although their third and long-awaited album Blue Weekend is finally out and getting rave reviews from critics and fans, UK alt-rock quartet Wolf Alice said it wasn't their plan to take four years to release a new record after Visions Of A Life in 2017 won the Mercury Prize.
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A whole different sonic vibe
Life, John Clewley, Published on 09/06/2020
» Sega is the traditional and popular music of the island of Mauritius, which sits in the vast Indian Ocean; some call sega the blues of the Indian Ocean but I think of it as the soundtrack to the sea.
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Miss(ed) Opportunity
B Magazine, Chanun Poomsawai, Published on 15/03/2020
» The rise of synth-pop darling Claire Boucher, aka Grimes, has been a fascinating one.
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Death Becomes Us
B Magazine, Chanun Poomsawai, Published on 03/11/2019
» Well, what do you know -- Foals have managed to pull it off after all. The English indie-rock mainstay finally follows up their Everything Not Saved Will Be Lost Part 1, released back in March, with the second and final instalment. In Part 1, frontman Yannis Philippakis and co got political with tracks like Exits and Sunday while dutifully filling the quota for danceable indie bangers with On The Luna and In Degrees. On the production side, it swung from indie rock and new-wave to funk and disco -- a classic Foals album through and through.
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Portrait Of An Artist
B Magazine, Chanun Poomsawai, Published on 06/10/2019
» "I just don't wanna be back in this place again/ I mean, I done cried a little/ Tried a little, failed a little/ I don't wanna do it again," Brittany Howard confesses on History Repeats, a funky opener to her solo debut Jaime. Built on acid jazz and neo-soul groove, the song bustles with the genre-blurring spirit of her former band Alabama Shakes and her own irreverent energy. Singing those words, Howard sounds empowered and energised like a weight has been lifted. "History repeats and we defeat ourselves/ Come on everybody, one more time again," before you know it, the song turns into an infectious anthem, leaving in its wake a glimpse into her self-discovery that would go on to define the rest of the album.
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The S.L.P. Experience
B Magazine, Chanun Poomsawai, Published on 15/09/2019
» When Sergio Lorenzo Pizzorno came out with his first solo single, Favourites, back in June, we were pleasantly surprised. The song, an unlikely collaboration with UK rapper Little Simz, gave us an early glimpse into what could be expected from Pizzorno's solo project -- a whole lot of wacky swagger coated with a good amount of sonic experimentation. Listening to it closely, you can easily detect that indie impishness of his band Kasabian as well as the genre-hopping tendencies of Gorillaz. It's an impressive balancing act of breakbeat backdrop and funky basslines that sounds entirely new and familiar all at once.
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Snowed in
B Magazine, Chanun Poomsawai, Published on 08/09/2019
» "If I lay here/ If I just lay here/ Would you lie with me/ And just forget the world?" Honestly, it's hard not to automatically think of the devastating chorus of Chasing Cars whenever the band Snow Patrol is mentioned. To a great extent, the Northern Irish/Scottish quintet have American hospital drama Grey's Anatomy to thank for single-handedly popularising the song through one of the series' heart-rending season finales. Snow Patrol suddenly became a household name worldwide, continuing the legacy of post-Britpop previously jump-started by bands like Travis, Coldplay and Keane.
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From Belize with love
B Magazine, Chanun Poomsawai, Published on 26/05/2019
» Ariel Zetina may be best known as one of Chicago's fiercest DJs (the Mother of the Windy City Club Scene, as some have suitably appointed her), but she's more than meets the eye. Having come from a theatre and poetry background, the American-Belizean artist is well-versed in cutting-edge performance art. In fact, her first foray into music-making was born out of necessity, simply because she couldn't find a piece of music that would fit a show she was working on as part of collaborative performance art group Witch Hazel. After relocating to Chicago some years later, she finally found her place and essentially herself in the city's thriving queer/trans club scene, which provided her with the impetus to fuse house and techno sounds with her own multicultural flavours.
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Call it therapy
B Magazine, Chanun Poomsawai, Published on 03/03/2019
» While most people may not be familiar with Julia Michaels, chances are they have more than one occasion heard (and even sung along to) the songs she wrote. The 25-year-old American songwriter, if you must know, is the force behind some of the biggest pop hits from over the past few years including Justin Bieber's Sorry, Selena Gomez's Bad Liar and Hands To Myself, and Gwen Stefani's Used To Love You. But after realising that some of the songs she penned spoke to her more than it would any of the industry's A-listers, she decided to carve her path as a solo artist -- the move marked by the release of her 2017's debut single, Issues, followed by the seven-track EP, Nervous System.
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