Showing 11 - 20 of 38
Learning to speak govt's language
News, Kong Rithdee, Published on 19/08/2017
» The Newspeak is the Oldspeak. The New Testament is the Old Commandments. When they say the clock strikes 13, it means the clock strikes 13. The writing isn't in the law but on the wall.
The big cheat
Life, Kong Rithdee, Published on 05/05/2017
» Finally -- the first in 2017 -- we have a Thai film worth recommending. Chalard Games Goeng (Bad Genius) is a flashy, nail-biting multiple-choice thriller -- the film's best sequences take place in an exam arena, with 2B pencils scratching and the clock ticking as the student "genius" of the title transmits the answers of the test to her "clients", first through hand signals and later through an elaborate, time-zone-sensitive digital shenanigan.
A trip to Diamond Island
Life, Kong Rithdee, Published on 07/04/2017
» It's a story of Cambodia but also of Southeast Asia: the new rich built on the back of rural labour, young men who leave their homes in the countryside to carry bricks and build real-estate edifices in the capital. The promise of the future is built on the uncertainty of the present.
In our Oscar worthy Blah Blah Land
News, Kong Rithdee, Published on 25/02/2017
» The bonbon labelled La La Land is likely to rule the Oscars come Monday morning. While in our Blah Blah Land the drama is bitter, the song muted and the sky inclement.
Finding salvation for the South
News, Kong Rithdee, Published on 20/02/2017
» When Muhammad Anwar bin Ismael Hajiteh was released on Jan 7 on a royal pardon, activists and civic groups in the deep South greeted the news with jubilation.
Colourful journey into Thailand's soul
Life, Kong Rithdee, Published on 20/01/2017
» The train clangs ahead, moving people and dreams, as it has done since 1893. In Railway Sleepers, a minutely observed film shot entirely on-board a Thai train, we see kids on school trips, young men travelling north and south, hawkers selling food and horoscope books, families and lovers, vacationers who turn the sleeping car into a party venue. They're passengers, and they're also humans. They are, as director Sompot Chidgasornpongse says, a collection of faces that make up a portrait of Thailand.
To Myanmar with love
Life, Kong Rithdee, Published on 04/11/2016
» The big problem about shooting a film in Myanmar, says Thai filmmaker Chartchai Ketnust, was not obtaining permission. It was the mob of onlookers trying to get a peek of the stars.
Three stories from Asia
Life, Kong Rithdee, Published on 28/10/2016
» An illegal Filipino migrant in Hokkaido, a Japanese grandfather in Penang, a UN official reflecting on the romantic past in Phnom Penh. The three short films in the omnibus Asian Three-Fold Mirror: Reflections narrate the criss-crossing of destiny between Asian people -- or particularly in this case between Japanese and Southeast Asians. The Reflections project has been commissioned by the Japan Foundation and Tokyo International Film Festival (TIFF) as a means to show the mutual relationships, present or forgotten, among the Asian countries.
Moments of record
Life, Kong Rithdee, Published on 07/10/2016
» The film fades and has scratches, but the persistence of history is strong. On Tuesday, the Ministry of Culture and Thai Film Archive (Public Organisation) registered 25 film items into the National Heritage list for audiovisual conservation and future reference. In November and December, the Archive will host screenings of some of the newly inducted titles.
Filming history
Muse, Kong Rithdee, Published on 01/10/2016
» Anocha Suwichakornpong's first degree is in jewellery design, but you won't see any gleaming items on her. A small woman with a pixie cut, the film director is more interested in crafting images than making necklaces (or wearing one) -- and that's good for her and even better for us on this side of the screen. On a recent afternoon she showed up to meet us, and the long talk was about film, memory, feminism, frozen ovum, political heartbreak and how the scourge of history has found a way into her latest film.