Showing 101 - 110 of 339
Life, Kaona Pongpipat, Published on 03/02/2016
» 'An art fair is always a commercial event," said Lorenzo Rudolf, founder and president of Art Stage Singapore whose sixth edition ended last month. There's not a response more apt than that to a common complaint like: "Oh, but Art Stage is too commercial." It's an art fair, and quite naturally, as Rudolf added in an interview during the fair, "the galleries come here to sell".
Life, Kaona Pongpipat, Published on 03/02/2016
» Singapore's Art Week is over but it doesn't mean there aren't any good remnants left. The newly-opened National Gallery, for one, is hardly what one would call a remnant, with a comprehensive collection of works by Southeast Asian artists from the 19th century onwards which would take at least a day to completely take in. There are also, of course, a few major shows at the old military quarters-turned-art hub Gillman Barracks, such as Steve Mccurry's iconic photography show, Yinka Shonibare's new sculptures and Joan Jonas' acclaimed "They Come To Us Without A Word" exactly as seen in last year's Venice Biennale.
Life, Kaona Pongpipat, Published on 27/01/2016
» Since we have yet to find an art school for, or exhibitions by, the much-hyped angel child dolls, Art Matters this month is going to make do with the same old current show round-up.
Life, Kaona Pongpipat, Published on 21/01/2016
» While Crescent Moon Theatre presents the Thai-Korean collaboration Mai Pen Rai Project, Democrazy Theatre Studio is kicking off 2016 with Peerapol Kijreunpiromsuk's directorial debut Plan B.
Life, Kaona Pongpipat, Published on 20/01/2016
» Around this time in 2014, the late artist Mamafaka's one-eyed gigantic monster Mr. HellYeah, spray-painted at the ruins near BTS Ratchathewi, was "bombed" by another graffiti group. The original graffiti was done as part of the first edition of street art festival Bukruk in 2013, and when the controversy about it being defaced erupted, the unauthorised vandalism of the authorised vandalism exemplied the very essence of street art: nothing is permanent.
Muse, Kaona Pongpipat, Published on 16/01/2016
» Kawita Vatanajyankur feels like an outsider wherever she is. In Melbourne, where the 28-year-old artist spent a decade through high school and university, it wasn’t really home. Back in Bangkok for four years now, and she doesn’t feel Thai, either. Who she is as an artist and the person she is as she sits down for an interview are equally in a state of flux.
Life, Kaona Pongpipat, Published on 13/01/2016
» Echoing the title of Paphonsak La-or's solo exhibition "Silent No More", his opening reception at Lyla Gallery in Chiang Mai on Boxing Day last year was buzzing with locals and those who had made the trip from Bangkok. Milling around, everyone in the exhibition room couldn't possibly have avoided the huge 7m-long centrepiece that comes with a shade of blue paint that is neither gloomy nor reassuring in the background. While there's a sentence in the middle, "This image is no longer available", the bottom text reads, "Love which was woven in our society leads to a great tragedy and sorrow".
Life, Kaona Pongpipat, Published on 06/01/2016
» In one exhibition room at Navin Rawanchaikul's studiOK in Chiang Mai, wooden crates used for shipping his previous artworks are piled up as a huge rectangular structure. An entrance on one side reveals an old fabric shop, with rolls of cloth of various colours, desks and measurement tools. Open for viewing for the first time late last month, the "shop" is an exact recreation of O.K. Store, Navin's family clothing store, his original home in Chiang Mai's Warorot Market.
Life, Kaona Pongpipat, Published on 30/12/2015
» It's been an exciting year for the Bangkok art scene, with new galleries opening and quite a few collaborative projects. Life looks back at these significant incidents and picks its five favourite exhibitions of 2015
Life, Kaona Pongpipat, Published on 24/12/2015
» The second edition of Wonderfruit, a four-day festival of arts, ended late last weekend. And now there's already a common saying: "You have to be rich to get drunk at Wonderfruit."