Showing 1 - 10 of 28
Time for Asean films to shine
Life, Kong Rithdee, Published on 08/12/2021
» The pandemic notwithstanding, it has been a stimulating year for Southeast Asian cinema. Reflective, heartfelt and oddball new titles from Indonesia, Cambodia, Malaysia, Singapore and Thailand have won major prizes or become critical favourites at international film festivals throughout 2021. Now, many of these films are coming to the big screen in Thailand as the Bangkok Asean Film Festival 2021 (BAFF) is set to open tonight.
Art as our escape
Life, Kong Rithdee, Published on 16/09/2020
» This year's theme is at once hopeful and ironic: "Escape Routes" suggests a flight from our unusual times of pathological disruption and political cataclysm -- here, there and everywhere -- and yet the theme is an acknowledgment of those in-our-face uncertainties from which we struggle to find an exit.
Follow the yellow brick road
Life, Kong Rithdee, Published on 21/06/2019
» There is a newly-invented subgenre of the rock biopic: the queer, British, 1970s-set rock biopic, preferably with family trauma and cruel (or at least unsympathetic) parents. First was Bohemian Rhapsody, the shoddy Freddie Mercury flick, whose status as an Oscar-nominated title still befuddles. Now comes Rocketman, in which Taron Egerton preens and struts in Elton John's greatest hits of wardrobe flamboyance, even at his AA session.
Bismillah, Freddie will not let us go
Life, Kong Rithdee, Published on 02/11/2018
» Freddie Mercury, played with an earnest commitment bordering on fetishism by Rami Malek in the biographical film Bohemian Rhapsody, is a rock star the likes of which we hadn't seen before the 1970s and haven't since: An Asian frontman of a British rock outfit, a four-octave opera lover who sang in leotards and thongs, a proud organiser of orgiastic jamborees, and a gay man who endeared himself to the hard-rock audience that, in all likelihood in those pre-diversity days, either failed to realise that their mustachioed rock-god was out-and-out queer or suppressed their suspicion so completely that they didn't feel any cognitive dissonance in their devotion to Queen. Even the name Freddie gave the band laid it all bare.
Judging the judges at Cannes
Life, Kong Rithdee, Published on 01/02/2017
» There was a chorus of surprise when the 69th Cannes Film Festival last Sunday awarded its top prize to Ken Loach's welfare drama I, Daniel Blake -- because the film was largely absent from the critical radar during the 12-day festival. A bigger surprise (not to say disappointment) was when the second prize went to Xavier Dolan's melodrama It's Only The End Of The World, because the film was nearly unanimously disliked for its histrionics and theatrical conceits. When the jury, led by Mad Max director George Miller, gave the prize to Dolan's film, a joke sprang up and quickly caught on, inspired by the film's title: yes, for this film to be honoured by Cannes it is the end of the world, or the end of cinema. Apocalypse now!
Our best films of the year
Life, Kong Rithdee, Published on 22/12/2016
» As usual we have two lists, for titles released in local cinemas and the wider universe of world films shown elsewhere (and hopefully coming to our screens soon).
The non-Hollywood contenders
Life, Kong Rithdee, Published on 09/12/2016
» Thailand has submitted the monk drama Arpatti to compete with 84 other countries in the Oscar race for best foreign-language film. Here we look at some highlights from around the world before the nominations are announced on Jan 24.
Nepalese film scoops top prize at SGIFF
Life, Kong Rithdee, Published on 06/12/2016
» A Nepalese drama about political and cultural divides won top prize at the 27th Singapore International Film Festival (SGIFF). The 12-day event, part of the Singapore Media Festival that ended on Sunday, also saw two Thai feature films in its Silver Screen Competition, though they came home empty-handed.
Christie's looks for more Thai bidders
Life, Kong Rithdee, Published on 27/07/2016
» Premier auction house Christie's is celebrating its 250th anniversary this year. In Asia, the company first held an auction in Hong Kong in 1986, clocking in nearly US$2 million. Twelve years later in 1998, Christie's Auction (Thailand) opened its doors at the then-Peninsula Plaza on Ratchadamri Road.
The American dream gone sour
Life, Kong Rithdee, Published on 19/02/2016
» More than other countries, the “idea” of America is greater than America itself, as Dr Bennet Omalu finds out. Omalu is a Nigerian pathologist working in Pittsburgh as he waits to be naturalised, and as played by Will Smith, he’s a specimen of a noble, intelligent, optimistic soul who can’t stand dishonesty and injustice. In short, his principles are more American than those of most Americans themselves. That shouldn’t be a problem, until he performs an autopsy on an American football legend and finds that the great American sport has ruined its players beyond repair, driving some of them into suicidal insanity.