FILTER RESULTS
FILTER RESULTS
close.svg
Search Result for “bangkok'"”

Showing 81 - 90 of 138

Image-Content

LIFE

SEA of delights

Life, Kong Rithdee, Published on 04/07/2019

» The Bangkok Asean Film Festival runs until July 8 and features 30 titles. Here are our top picks.

Image-Content

THAILAND

Thai film editor joins Oscars academy

Kong Rithdee, Published on 02/07/2019

» Thai film editor Lee Chatametikool has been made a member of the Academy of Motion Picture Arts and Science, meaning he will be eligible to vote for the Oscars.

Image-Content

LIFE

Follow the yellow brick road

Life, Kong Rithdee, Published on 21/06/2019

» There is a newly-invented subgenre of the rock biopic: the queer, British, 1970s-set rock biopic, preferably with family trauma and cruel (or at least unsympathetic) parents. First was Bohemian Rhapsody, the shoddy Freddie Mercury flick, whose status as an Oscar-nominated title still befuddles. Now comes Rocketman, in which Taron Egerton preens and struts in Elton John's greatest hits of wardrobe flamboyance, even at his AA session.

Image-Content

LIFE

Underwater folly

Life, Kong Rithdee, Published on 12/06/2019

» In the aquatic chamber, the tank looms. Encrusted and barnacled, the mighty war machine has become a home of fish and corals. It seems incapacitated, abandoned, useless. Such is an illusion: if the tank is submerged, we're down there with it, drowned in that inexorable aquarium. Look, its gun still points at us, and its shadow all-consuming.

Image-Content

LIFE

A night of surprises, some splendid

Life, Kong Rithdee, Published on 28/05/2019

» The odds weren't in Asia's favour, since there were only two films from the continent in competition. But South Korea did it, just like Japan had last year. Bong Joon-ho's Parasite won the Palme d'Or at the 72nd Cannes Film Festival, making it the second year in a row that an Asian film has won world cinema's most coveted prize, after last year's victory of Hirokazu Kore-eda's Shoplifters.

Image-Content

LIFE

Women in motion

Life, Kong Rithdee, Published on 24/05/2019

» In Senegal, a teenage Muslim girl in an arranged marriage reunites with her lover, who has returned from his aquatic death. In London, a scientist mother engineers a new plant species that begins to dominate the mind of her young son. In 18th-century France, a portrait painter travels to an island off Brittany to paint a young aristocrat and finds herself smothered by love.

Image-Content

LIFE

Looking for redemption

Life, Kong Rithdee, Published on 23/05/2019

» Young Ahmed believes he's a true Muslim, one of the few in his Muslim neighbourhood in Belgium. He refuses to shake hands with women, quotes verses from the Koran, berates his mother when she drinks, and condemns Jews and pretty much everyone else as infidels. Fellow Belgian-Muslims who do not subscribe to his imam's rigid interpretation of Islam are branded heretics unworthy of uttering the prophet's name. Young Ahmed, 13, is packed tight on the assembly line of Islamic radicalisation, fired up by a sense of self-righteousness so extreme and narrow that we wonder if it leaves room for something else in him, like love, forgiveness or humanity.

Image-Content

LIFE

An imperfect world

Life, Kong Rithdee, Published on 21/05/2019

» Even on the ground at the Cannes Film Festival, what people seemed to be anticipating most on Monday was, well, the final episode of Game Of Thrones. No, it wasn't being shown at the festival (how unbecoming that would be), but isn't it a sign of our times that a TV episode has the Valyrian-steel nerve to dominate global discussion and upstage the world's biggest film showcase?

Image-Content

THAILAND

Les Miserables: The simmering rage of Paris

Life, Kong Rithdee, Published on 17/05/2019

» Cannes Day 2 witnesses the rage of Paris -- not the yellow wrath of gilets jaunes, but the brown-and-black anger of rundown suburbs that makes up the complex social structure of modern France.

Image-Content

LIFE

Jim Jarmusch's zombies open Cannes

Life, Kong Rithdee, Published on 16/05/2019

» 'Infernal hipsters and their irony." So says a very unhip character in <I>The Dead Don't Die</I>, and of course, what else could it be? Jim Jarmusch's zombie comedy opened the 72nd Cannes Film Festival on Tuesday night with a sort-of infernal hipness that both literalises and subverts the zombie formula -- with mixed results.