Showing 71 - 80 of 167
Nang Nak at 20
Life, Kong Rithdee, Published on 26/07/2019
» Thai cinema saw a new horizon open 20 years ago up this month. On July 23, 1999, a little film called Nang Nak opened in cinemas. An adaptation of the country's most popular ghost tale about a wife who died in childbirth but stuck around as a spirit waiting for her husband to return from war, the film arrived carrying high hopes -- and exceeded all of them. Nang Nak, directed by Nonzee Nimibutr and written by Wisit Sasanatieng, unleashed an unprecedented momentum of enthusiasm and became the first Thai movie to blaze past the 100-million-baht mark at the box office.
Memories buried in soil
Life, Kong Rithdee, Published on 19/07/2019
» Memories and war, illusory borders and invisible scars: These themes are resonant in two documentary films shown late last month at the SAC Film Festival (hosted by the Princess Maha Chakri Sirindhorn Anthropology Centre). In the Thai documentary Din Rai Dan (Soil Without Land), a Tai Yai man in Shan state talks about his life as a waiter in Bangkok and as a soldier in his ethnic army. In the Vietnamese film The Future Cries Beneath Our Soil, a group of men in a rural village bear the indelible wounds of the Vietnam War, still stinging after 40 years.
In the realm of Manta Ray
Life, Kong Rithdee, Published on 12/07/2019
» There's a shot of a manta ray in Manta Ray, and one is invited to read into the symbolism of the gliding creature whose journey transcends man-made boundaries. Kraben Rahu (Manta Ray) is the most anticipated Thai film of the year, and after almost a full year of travelling the film festivals of the world, like the majestic fish itself across the ocean, it has come ashore in select Thai cinemas this week.
SEA of delights
Life, Kong Rithdee, Published on 04/07/2019
» The Bangkok Asean Film Festival runs until July 8 and features 30 titles. Here are our top picks.
Follow the yellow brick road
Life, Kong Rithdee, Published on 21/06/2019
» There is a newly-invented subgenre of the rock biopic: the queer, British, 1970s-set rock biopic, preferably with family trauma and cruel (or at least unsympathetic) parents. First was Bohemian Rhapsody, the shoddy Freddie Mercury flick, whose status as an Oscar-nominated title still befuddles. Now comes Rocketman, in which Taron Egerton preens and struts in Elton John's greatest hits of wardrobe flamboyance, even at his AA session.
Underwater folly
Life, Kong Rithdee, Published on 12/06/2019
» In the aquatic chamber, the tank looms. Encrusted and barnacled, the mighty war machine has become a home of fish and corals. It seems incapacitated, abandoned, useless. Such is an illusion: if the tank is submerged, we're down there with it, drowned in that inexorable aquarium. Look, its gun still points at us, and its shadow all-consuming.
A night of surprises, some splendid
Life, Kong Rithdee, Published on 28/05/2019
» The odds weren't in Asia's favour, since there were only two films from the continent in competition. But South Korea did it, just like Japan had last year. Bong Joon-ho's Parasite won the Palme d'Or at the 72nd Cannes Film Festival, making it the second year in a row that an Asian film has won world cinema's most coveted prize, after last year's victory of Hirokazu Kore-eda's Shoplifters.
Women in motion
Life, Kong Rithdee, Published on 24/05/2019
» In Senegal, a teenage Muslim girl in an arranged marriage reunites with her lover, who has returned from his aquatic death. In London, a scientist mother engineers a new plant species that begins to dominate the mind of her young son. In 18th-century France, a portrait painter travels to an island off Brittany to paint a young aristocrat and finds herself smothered by love.
Looking for redemption
Life, Kong Rithdee, Published on 23/05/2019
» Young Ahmed believes he's a true Muslim, one of the few in his Muslim neighbourhood in Belgium. He refuses to shake hands with women, quotes verses from the Koran, berates his mother when she drinks, and condemns Jews and pretty much everyone else as infidels. Fellow Belgian-Muslims who do not subscribe to his imam's rigid interpretation of Islam are branded heretics unworthy of uttering the prophet's name. Young Ahmed, 13, is packed tight on the assembly line of Islamic radicalisation, fired up by a sense of self-righteousness so extreme and narrow that we wonder if it leaves room for something else in him, like love, forgiveness or humanity.
An imperfect world
Life, Kong Rithdee, Published on 21/05/2019
» Even on the ground at the Cannes Film Festival, what people seemed to be anticipating most on Monday was, well, the final episode of Game Of Thrones. No, it wasn't being shown at the festival (how unbecoming that would be), but isn't it a sign of our times that a TV episode has the Valyrian-steel nerve to dominate global discussion and upstage the world's biggest film showcase?