Showing 1-10 of 10 results
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Time is not on anybody's side
Life, Kong Rithdee, Published on 15/10/2021
» There's the anatomy -- the bone and the flesh, supple or flaccid. Then there's time, the cruellest judge of all. In Jakrawal Nilthamrong's Anatomy Of Time (the Thai title is simpler, Wela), the first sound we hear is a tick-tock metronome like the soundtrack of the cosmos as we watch an old lady gently tending to her tubed and bedbound husband. Time will be folded back. The old woman will become young and her dying husband will appear as a spirited, dashing military captain fighting communist insurgents for the good of the nation.
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Through the prism of history
Life, Kong Rithdee, Published on 04/10/2019
» The book's title is printed on its spine: Prism Of Photography: Dispersion Of Knowledge And Memories Of The 6 October Massacre. Thereafter, from the first page on, we have only photographs with no captions.
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A nation of millions can't hold them back
News, Kong Rithdee, Published on 29/10/2018
» Rhymes and misdemeanours. Yo, yo. Rappers are threatened to be thrown in a slammer.
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The pastoral romance returns
Life, Kong Rithdee, Published on 19/09/2018
» The star-crossed lovers coo. They ride their buffaloes through a verdant field, splash mud, evade spiteful parents, and make a vow at the shrine of the banyan tree. But their romance, like all memorable romances in books and life, is doomed by the circumstances of fate, tragic and scarred, and their destiny is one of the most heartbreaking in the canon of Siamese literature and film.
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Sucking the wind out of the elections
News, Kong Rithdee, Published on 05/05/2018
» The verb of the week is "to dood".
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Massacre's memory
Life, Kong Rithdee, Published on 20/07/2017
» The noblest thing is to remember the dead, no matter how long it has been. In the documentary Respectfully Yours, friends and families of some of the victims of the Oct 6, 1976, massacre remember those who were brutally maimed, tortured and killed on the grounds of Thammasat University 41 years ago, as the police and right-wing militia laid siege.
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Filming history
Muse, Kong Rithdee, Published on 01/10/2016
» Anocha Suwichakornpong's first degree is in jewellery design, but you won't see any gleaming items on her. A small woman with a pixie cut, the film director is more interested in crafting images than making necklaces (or wearing one) -- and that's good for her and even better for us on this side of the screen. On a recent afternoon she showed up to meet us, and the long talk was about film, memory, feminism, frozen ovum, political heartbreak and how the scourge of history has found a way into her latest film.
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Thai independent films going strong
Life, Kong Rithdee, Published on 12/08/2016
» History, identity, cavemen, dwarves -- independent Thai films taking on those subjects (and curiosities) are making the rounds at the film festival circuit this season. While the big multiplex release of the year is likely to be Fanday, the first output from GDH 559 (previously GTH) slated for Sept 1, some Thai indie titles are busily injecting necessary edge and provocation to the scene.
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Melancholic, dissonant memories
Life, Kong Rithdee, Published on 23/10/2015
» Jakrawal Nilthamrong's Vanishing Point is a story of loss, death, alternative destinies and reminiscence of sadness. It floats a few inches above the ground, it connects, disconnects and reconnects lives and fates, sometimes in a dissonant manner, and even though you may scratch your head wondering what exactly is going on, the film's semi-experimental style and narrative rupture has a strange intoxication.
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It's really best when you say nothing at all
News, Kong Rithdee, Published on 20/09/2014
» Dear diary, it is better to keep your mouth closed and let people think you are a fool than to open it and remove all doubt, as Mark Twain said. How charming my mouth has been in the past week. If it had been Yingluck Shinawatra saying those things, I'm sure a riot would've broken out and the sound of a million whistles would've shattered your eardrums. But it's me, so it's different. It's not the action but the man. How could those pettifogging critics interpret my speech as avuncular nonsense, when in fact they're pieces of wisdom worthy of being chronicled in the national archives and inscribed onto monuments?
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