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Showing 21-30 of 163 results

  • LIFE

    A political message of hope

    Life, Amitha Amranand, Published on 06/09/2019

    » Back with the second of three productions to celebrate its 33rd anniversary, DreamboxTheatre Bkk steps into the future with a new playwright and fifth sung-through musical, Namngoen Tae: The Musical.

  • LIFE

    A double bill of different

    Life, Amitha Amranand, Published on 05/07/2019

    » Cleaning has never looked so fun, violent and spooky. Young theatre artists Kawin Bhichitkul of Dee-ng Theatre and Surat Kaewseekram of B-floor Theatre spin visually exciting tales with disposed objects in a double-bill performance, What's Left: Resonance From The Discarded, at WTF Bar & Gallery.

  • LIFE

    Angel on a mission

    Life, Amitha Amranand, Published on 27/06/2019

    » The theatre scene is marking a few anniversaries this year. First, B-floor Theatre celebrated its 20th birthday with an outdoor musical version of A Midsummer Night's Dream. This month, an even older company, Dreambox, originally named Dass Entertainment, kicked off its 33rd-anniversary celebration with a revival of an old musical from its early days. The company will bring back another musical in November, Mae Nak: The Musical, which came from what they consider to be the company's second period in their development. And in a few months, Dreambox will stage Namngoen Thae, a new musical adapted from a historical novel of the same name by one of Thailand's most popular novelists, Lin Lyovarin.

  • LIFE

    Not entirely transfixing

    Life, Amitha Amranand, Published on 07/06/2019

    » For its second production, Qrious Theatre transplants the 2005 American film Transamerica to Thailand. TranS I-Am is an awkward US-to-Thailand and screen-to-stage adaptation, but it's sweet and offbeat enough to charm.

  • LIFE

    Pearls of wisdom

    Life, Amitha Amranand, Published on 22/05/2019

    » Nana Dakin is a familiar name on the Thai theatre scene. The member of B-floor Theatre is known for her intelligent and sensitive pieces of physical theatre that deal with such issues as identity, migration and violence.

  • LIFE

    Garden of dreams and delights

    Life, Amitha Amranand, Published on 09/05/2019

    » B-floor Theatre, Thailand's only physical theatre company, turns 20 this year. And they are marking the occasion with Shakespeare.

  • LIFE

    New singers, oldest band

    Life, Amitha Amranand, Published on 28/03/2019

    » The Suntaraporn Foundation has been staging musicals for seven years, and I finally made the time to go see one this past Sunday. Theatre critics in Bangkok are very aware of their annual productions, but we have largely ignored it. Perhaps it has to do with our limited definition of "contemporary theatre", and our tendency to turn our noses up at anything that feels traditional and conservative.

  • LIFE

    Who's the hero here?

    Life, Amitha Amranand, Published on 28/03/2019

    » Scene Zero's Shogo Tanikawa emerges with another play about outsiders. While last year's 4 Seasons draws sensitive and convincing portraits of Thai immigrants in Japan, this year's Hero gives us characters that are either blurry or just plain ludicrous.

  • LIFE

    No comfort for young women

    Life, Amitha Amranand, Published on 17/08/2018

    » One of the biggest issues commanding media attention in the past year has been that of gender violence. And Peel the Limelight has dedicated this year to staging plays that shed light on the topic from different angles, starting with a production of Agnes Of God, about a young nun with a history of abuse. That was followed by I Am My Own Wife, a one-person play about the life of a transgender woman during World War II and the Communist regime in East Berlin.

  • LIFE

    Dance without a safety net

    Life, Amitha Amranand, Published on 09/08/2018

    » Choreographer Thanapol Virulhakul is adamant about creating performances that defy the definition of dance. In his "contemporary dance piece" Hipster The King, performers stand in a tableau for most of the show. In Happy Hunting Ground, the choreography consists mostly of jogging up and down the stage.

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