Showing 11-20 of 28 results
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Swings and misses
Life, Amitha Amranand, Published on 15/12/2016
» These theatre newcomers close 2016 with daring productions. Even though some of the results were uneven, their desire to make meaningful and thought-provoking art is palpable
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Art under stress
Life, Published on 02/12/2015
» Life's critics take a look at how artists in different fields reflected upon Thailand's political situation over the past 18 months — or why they chose not to.
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The truth behind the facade
Life, Kaona Pongpipat, Published on 15/10/2015
» At a time when freedom of expression is becoming increasingly constrained, whether one is just an internet user, a filmmaker or an activist, experimental theatre troupe B-Floor is as relentless as ever. After Ornanong Thaisriwong's solo performance Bang La Merd earlier this year was attended by military officers, B-Floor is back under the directorial helm of Teerawat Mulvilai in Manoland.
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Dance of the majority
Life, Kaona Pongpipat, Published on 22/10/2015
» Watching Vidura Amranand dance in swirling red pants, in Teerawat Mulvilai's latest physical performance work Manoland, I was reminded of Somsong, the hysterical stepmother of Fak in Chat Kobjitti's 1985 novel Kam Pipaksa (The Judgement).
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By lens, stage and paint, truth
Life, Published on 10/12/2014
» In 2009, Tanwarin Sukkhapisit made I'm Fine Sabai Dee Ka, a three-minute satirical film/performance art piece in which she locks herself in a cage placed in front of the Democracy Monument. Passers-by (both actors and unsuspecting pedestrians) take photographs and stop to ask her what happened. She smiles and repeats the same answer: "I'm fine in here." Tanwarin, who once served as the president of the Thai Film Director Association, is a prolific filmmaker who has made independent and mainstream films. In 2010, her low-budget production, Insects In The Backyard, made headlines when it became the first film to be banned under the 2006 Film Act (censors said the film depicted inappropriate images of student prostitutes and a penis).
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Ornanong Thaisriwong feels violated
Life, Kaona Pongpipat, Published on 22/01/2015
» The tag line for Ornanong Thaisriwong's B-Floor Theatre solo performance Bang-La-Merd two years ago, was "My Wonderfully Smiling City". For its restaging, which begins today at Thonglor Art Space, however, it has changed to "The Land I Do Not Own".
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Memories stained with Rouge
Life, Kaona Pongpipat, Published on 15/10/2015
» This year marks the 40th anniversary of the beginning of the Khmer Rouge regime's four-year massacre that resulted in nearly 2 million Cambodian deaths.
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Lessons from the trenches
Life, Kaona Pongpipat, Published on 16/07/2015
» Through movements with a bit of monologue and dialogue, B-Floor's Sarut Komalittipong and Sasapin Siriwanij present their debut directorial production WW101 on the occasion of the 101st anniversary of the World War I. The idea began when the two directors travelled to Europe, visiting the Dachau concentration camp and realising how little they actually knew about the World Wars.
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Ajarn Ben's Southeast Asian analyses still enlighten
News, Philip J Cunningham, Published on 15/12/2015
» When I studied with Benedict Anderson at Cornell University in 1974, he seemed the quintessential absent-minded professor; at once erudite and bookish, idealistic and dreamy-eyed. The fact he had just been kicked out of Indonesia only added to his aura. Giving lectures about coups and counter-coups and revolutionary martyrs, he'd pace the front of the classroom in clunky boots and mismatched outfits, captivating class attention with his soft but mellifluous Irish-accented voice.
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Gruesome torture relived with both barrels
Life, Amitha Amranand, Published on 06/11/2014
» Almost right after I watched Teerawat "Kage" Mulvilai's solo performance Satapana: Iceberg, I came across Chinese artist Liu Bolin's Hiding In The City performance/photographic series in a book entitled Liu Bolin.
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