Showing 1-10 of 376 results
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Three stories from Asia
Life, Kong Rithdee, Published on 28/10/2016
» An illegal Filipino migrant in Hokkaido, a Japanese grandfather in Penang, a UN official reflecting on the romantic past in Phnom Penh. The three short films in the omnibus Asian Three-Fold Mirror: Reflections narrate the criss-crossing of destiny between Asian people -- or particularly in this case between Japanese and Southeast Asians. The Reflections project has been commissioned by the Japan Foundation and Tokyo International Film Festival (TIFF) as a means to show the mutual relationships, present or forgotten, among the Asian countries.
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Be my guest
Life, Kong Rithdee, Published on 13/12/2019
» Some arrived by boat, others by air. Some came when the British still ruled their homeland, others were driven by the bloodshed of The Partition. Some came with numerous gods, others with the one and only Allah. Some came from near Bombay, others from in and around Madras. Some came with the intention of returning, others arrived knowing that there was no going back.
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Asean Film Festival is finally here
Life, Kong Rithdee, Published on 28/03/2024
» Despite the odd, unexplained double postponement -- the first when it was moved from early December 2023 to late January 2024, and then from January to March -- the Bangkok Asean Film Festival finally gets under way, from today until Sunday at SF CentralWorld. Despite the adjournment, the line-up looks decent, with the best Southeast Asian titles culled from the past year -- Tiger Stripes, Inside The Yellow Cocoon Shell, Abang Adik, Dreaming And Dying, Oasis Of Now, Nowhere Near, Morrison, Thai classics The Adventure Of Sudsakorn and The Adulterer, and a short film competition.
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2023 ROUNDUP A vintage year for Thai cinema?
Life, Kong Rithdee, Published on 25/12/2023
» There were cheers of jubilation and gasps of disbelief as Thai cinema found itself awash with excitement in 2023. This has been the most successful year for mainstream Thai movies in a decade, a box-office triumph far exceeding all expectations. To many, the 2023 coup de theatre calls for celebration. "We are back!" cried optimistic pundits. But also: "Really? Is it just a one-time cinema party and can we keep the ball rolling?"
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The afterlife of Mitr Chaibancha
Life, Kong Rithdee, Published on 06/10/2023
» In an abrupt moment of life's brutal script, Mitr Chaibancha fell to his death from a helicopter ladder on Oct 8, 1970. He was filming Insee Thong (Golden Eagle), playing an anti-communist masked hero, when he slipped from the rung and plunged to the ground in Pattaya. That same evening, his body was transported to Wat Kae Nang Loeng. Thousands of people, unable to believe that Thailand's most famous actor was really, tragically dead, amassed impromptu at the temple and demanded that his corpse be raised from the coffin and shown to the public.
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Of zombies and fairy tales
Life, Kong Rithdee, Published on 20/05/2022
» The opening films across the three programmes at the 75th Cannes Film Festival speak of disparate destinies of contemporary cinema, from the poetic to the political and the pointless. Let's start with the latter.
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Asian talents score big at Cannes
Life, Kong Rithdee, Published on 31/05/2023
» From Japan to Malaysia by way of Vietnam, Asian filmmakers of disparate sensibilities triumphed at the recently-wrapped 76th Cannes Film Festival. The Palme d'Or may have gone to French filmmaker Justine Triet from her tense drama Anatomy Of A Fall, but six other awards handed out by the world's most influential film festival went to filmmakers from Asia, an unprecedented slate of recognition.
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10 films to watch out for
Life, Kong Rithdee, Published on 16/05/2023
» A fierce hijab girl, a Vietnamese pilgrimage, a Scorsese-DiCaprio team up and a new Cate Blanchett drama, Cannes Film Festival opens today with an eclectic taste of world cinema.
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If it was up to me...
Life, Kong Rithdee, Published on 10/03/2023
» The Oscars are once again upon us and Life goes out on a limb to pick the peaches.
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Back to the source
Life, Kong Rithdee, Published on 24/07/2020
» Evil is not banal in Ju-on: Origins, a particularly grisly six-part Netflix series. The J-horror wave that broke at the turn of the millennium may no longer be in vogue, but this supposed origin story of the 2001 Ju-On: The Grudge is probably even more extreme in its depiction of ghostly malice and vengeance. It's scarier too -- if you have a stomach for murder, disembowelment, matricide and self-combustibility -- because here the origin of violence is mostly domestic: the violence committed by father against mother, mother against daughter, husband against wife, friend against friend. It's a series (or you could see it as a three-hour film) about monsters that shows us that monstrosity really is born and raised first and foremost by humans.
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