Showing 1-10 of 16 results
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Recalling Thailand's darkest hour
Life, Kaona Pongpipat, Published on 15/09/2016
» Next month marks the 40th anniversary of the Oct 6, 1976, event, or Thammasat University Massacre -- a tragedy in which arguably more than 100 students were killed by Thai state forces and far-right paramilitaries, and in commemoration of that, critically-acclaimed director and choreographer Teerawat Mulvilai of B-Floor Theatre presents his latest performance Fundamental which is running at the Bangkok Art and Culture Centre.
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Stage whispers
Life, Kaona Pongpipat, Published on 27/05/2015
» The artistic career of Thanapol Virulhakul, director of the critically acclaimed contemporary dance performance Hipster The King, is a work-in-progress. It started out with a thesis project at Thammasat University's Faculty of Journalism and Mass Communication, in which he made Buddhist amulets out of chocolate, sold them on the street and filmed reactions of passers-by and amulet experts.
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The shape-shifting form of protests
Life, Kaona Pongpipat, Published on 06/10/2015
» The streets remained empty and all was quiet when thousands of people gathered last Wednesday night to protest against the government's Single Gateway proposal. Protesters weren't, however, down at major landmarks like Asoke or Ratchaprasong intersections, but simply in front of their computer screens. By merely punching the refresh button, these protesters let their resentment known to the authorities by crashing at least six government sites, including the Ministry of Information and Communications Technology.
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Abstraction remains our faulty coping mechanism
Oped, Kaona Pongpipat, Published on 30/09/2016
» A theatrical performance, Fundamental, which lends its physical movements and body language to reconstruct Thailand's hushed-up history of the bloody military crackdown on pro-democracy students on Oct 6, 1976 has attracted the regime's attention.
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Never forget
Life, Kaona Pongpipat, Published on 05/10/2016
» In a stage performance that just finished its run on Sunday, performers re-enacted scenes in which victims were hunted, beaten and strangled to death. In an art exhibition opening tomorrow, we'll see in paintings traces of atrocious scenes in the foreground while the surface is heavily smudged with paint, to the point of abstraction.
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Art, angst and alienation
Life, Kaona Pongpipat, Published on 10/08/2016
» As the title "Human AlieNation" suggests, the current exhibition at The Art Centre, Silpakorn University, concerns a sense of alienation on many levels, from individually, groups in society, to collectively as a nation.
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Protest, die, repeat?
Life, Kaona Pongpipat, Published on 18/05/2016
» Sunday marks the second anniversary of the 2014 military takeover, the second coup d'etat in Thailand in a decade and the 12th successful one since absolute monarchy was overthrown in 1932. And three months from now, in August, the highly controversial charter referendum will take place.
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Keeping secrets
Muse, Kaona Pongpipat, Published on 01/08/2015
» It was many years ago, during one of Dujdao Vadhanapakorn’s dance rehearsals, when the image of an old staircase suddenly flashed into her head. It happened more than once, sometimes while driving home after rehearsals, that other shocking, painful memories she thought were long-buried and forgotten came surging up.
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The joke that isn't funny anymore
Life, Kaona Pongpipat, Published on 08/07/2015
» For quite a while I had managed to completely wipe Gen Prayut out of my mind. By turning off the familiar tune Return Happiness To Thailand as soon as it comes on, by ignoring the latest absurdities shared on Facebook and by not engaging in a conversation criticising our dear leader and the NCPO, it was a state of blissful apathy. Without news consumption, anger was starved and eventually died. As the state of calm ignorance shifted in, life was OK again.
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Intoxication of life and love
Life, Kaona Pongpipat, Published on 09/07/2015
» Banthun Ratmanee described the experience translating Marguerite Duras’ 1982 novella La Maladie De La Mort (The Malady Of Death) as intoxicating. The plot itself is fairly straightforward. In fact Banthun, who is a French literature lecturer at Thammasat University’s Faculty of Liberal Arts, said it can be summed up in one sentence: “It’s a story about a man who hires a woman to stay with him so that he can learn about love.”
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