Showing 1-10 of 73 results
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Gay cowboys and glorious flesh
Life, Kong Rithdee, Published on 19/05/2023
» After the lukewarm opening film -- Maiwenn's Jeanne Du Barry, a fluffy costume drama starring Johnny Depp as King Louis XV -- the 76th Cannes Film Festival had its hottest ticket in a short film. Not just any short though: it's Pedro Almodovar's queer cowboy movie Strange Way Of Life, which saw patient festival-goers queuing up in the Rivera drizzle for nearly an hour to fill up even the worst seat of Salle Debussy on Wednesday.
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Time for Asean films to shine
Life, Kong Rithdee, Published on 08/12/2021
» The pandemic notwithstanding, it has been a stimulating year for Southeast Asian cinema. Reflective, heartfelt and oddball new titles from Indonesia, Cambodia, Malaysia, Singapore and Thailand have won major prizes or become critical favourites at international film festivals throughout 2021. Now, many of these films are coming to the big screen in Thailand as the Bangkok Asean Film Festival 2021 (BAFF) is set to open tonight.
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Girlhood and a city in flux
Life, Kong Rithdee, Published on 12/10/2021
» An Indonesian teen drama and Cambodian prize-winner shine at Busan Film Festival.
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A long crusade against healthcare woes
Life, Kong Rithdee, Published on 16/04/2021
» Colectiv, a Romanian documentary film nominated for two Oscars, watches in terror as the Romanian healthcare system practically collapses before the camera. The film elicits a series of gasps, as one shocking revelation leads to another, and another: procurement frauds, bureaucratic incompetence, corruption, nepotism, murder, mass bribery, healthcare mafia, maggots crawling on the head of a patient -- a living patient -- and finally, an election whose preposterous results ring too many familiar bells.
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The true nature of the beast?
Life, Kong Rithdee, Published on 20/11/2020
» 'Happy families are all alike," said Tolstoy, "every unhappy family is unhappy in its own way."
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Psycho-killers, interviewed
Life, Kong Rithdee, Published on 23/08/2019
» The series didn't drop with as much ballyhoo as most Netflix new releases; instead it creepy-crawled into the algorithm of fans with chilly stealth last Friday. Mindhunter Season 2, created by Joe Penhall with several episodes directed by David Fincher, is a cerebral remedy to Netflix's glut of story-driven series and formulaic cliffhangers. Mindhunter takes almost a geeky pride in its dialogue-heavy exploration of the most vicious minds in the anthology of American true crime, the procession of ultra-violent serial murderers, pathological rapists and sadistic torturers, and in the way it isn't fixated on solving any particular cases (as is expected from a detective show) but taking time to study the methodological eccentricity of each crime and the increasingly dark obsession of the detectives, sucked ever more inextricably into the transgressive vortex.
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Romance and rage
Life, Kong Rithdee, Published on 20/07/2018
» The air in that rural village is impregnated by unsettling emotions and propaganda announcements from loudspeakers. Three people sit drinking and talking in front of an old house: an honest, confused young man; a pretty, even also confused young woman; and a rich, suave, sport-car-driving playboy, so sure of himself and the power he has over the other two.
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A beautiful mongrel
Life, Kong Rithdee, Published on 06/10/2017
» List the obligatory terms you've seen in all articles about the original Blade Runner -- cyberpunk, dystopian future, neon wasteland, existential noir, cerebral deliberation, gorgeous visuals, brutalist design, Sean Young -- and they're still applicable to the rebooted Blade Runner 2049. You may add a few more: glum, long, Hans Zimmer and Ryan Gosling, wandering the bleak, rain-swept Los Angeles and pondering the deep question: Do androids dream of electric sheep? And also: Do replicants make babies?
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On unhappy women and clumsy hitmen
Life, Kong Rithdee, Published on 19/01/2018
» Pen-ek Ratanaruang's movies -- eight of them in the past 20 years and the ninth slated for a Feb 1 release -- are often inhabited by unhappy women and clumsy hitmen. Unhappy, yet those women are neither resigned nor passive. Clumsy, yet those hitmen have aspirations, dreams and worries like people in other respectable professions. A genre geek, Pen-ek likes crime thrillers, but one of Thailand's best-known directors is also a diligent investigator of human relationships and man-woman dynamics, their eccentric and mysterious rapport and misunderstandings that determine the course of the world, and of cinema.
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For your viewing pleasure
Life, Kong Rithdee, Published on 25/12/2017
» In a thoroughbred year for film, here are our must-see picks from 2017.
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