Showing 1-10 of 95 results
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Dream, murder and reality
Life, Kong Rithdee, Published on 18/05/2018
» The 11-day Cannes Film Festival will close tomorrow, and as the race for the Palme d'Or is the most breathtaking in years, we look at some of the highlights of the second week of the world's largest movie festival
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2023 ROUNDUP A vintage year for Thai cinema?
Life, Kong Rithdee, Published on 25/12/2023
» There were cheers of jubilation and gasps of disbelief as Thai cinema found itself awash with excitement in 2023. This has been the most successful year for mainstream Thai movies in a decade, a box-office triumph far exceeding all expectations. To many, the 2023 coup de theatre calls for celebration. "We are back!" cried optimistic pundits. But also: "Really? Is it just a one-time cinema party and can we keep the ball rolling?"
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Deep in the paradox
Life, Kong Rithdee, Published on 25/05/2022
» In Cairo, a religious student at the prestigious Al-Azhar Islamic University is recruited by secret police to infiltrate a Muslim Brotherhood cell. In Mashad, a holy city in Iran, a serial killer prowls a seedy suburb and strangles head-scarfed prostitutes. In the first film, bloodlust officials torture dissidents with abandon. In the second film, religion is evoked and the name of God is cited as a justification for murder. This begs the obvious question: Will Boy From Heaven be banned in Egypt, and Holy Spider Iran?
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Of Naga and political dissidents
Life, Kong Rithdee, Published on 13/09/2021
» The Naga is real but the murder is not. Or is it vice versa? What history chooses to remember and relegate to oblivion, what it enshrines as story and what it buries as hearsay, is how the narrative of a nation is forged in a mould of clay or a furnace of fire. Or in this particular case, in disembowelled bodies stuffed with concrete blocks. The murder is real but the Naga is not. This sounds more like it.
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A long crusade against healthcare woes
Life, Kong Rithdee, Published on 16/04/2021
» Colectiv, a Romanian documentary film nominated for two Oscars, watches in terror as the Romanian healthcare system practically collapses before the camera. The film elicits a series of gasps, as one shocking revelation leads to another, and another: procurement frauds, bureaucratic incompetence, corruption, nepotism, murder, mass bribery, healthcare mafia, maggots crawling on the head of a patient -- a living patient -- and finally, an election whose preposterous results ring too many familiar bells.
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Back to the source
Life, Kong Rithdee, Published on 24/07/2020
» Evil is not banal in Ju-on: Origins, a particularly grisly six-part Netflix series. The J-horror wave that broke at the turn of the millennium may no longer be in vogue, but this supposed origin story of the 2001 Ju-On: The Grudge is probably even more extreme in its depiction of ghostly malice and vengeance. It's scarier too -- if you have a stomach for murder, disembowelment, matricide and self-combustibility -- because here the origin of violence is mostly domestic: the violence committed by father against mother, mother against daughter, husband against wife, friend against friend. It's a series (or you could see it as a three-hour film) about monsters that shows us that monstrosity really is born and raised first and foremost by humans.
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Killer and victim
Life, Kong Rithdee, Published on 08/12/2017
» Sandome no satsujin (The Third Murder) -- which is way more gripping and finely-crafted than Murder On The Orient Express -- is a Japanese whodunit wrought with the dramaturgy of a Russian novel. Right at the opening, we see a murder being committed: Takashi Misumi (Koji Yakusho) is clubbing a man -- the owner of a factory where he works -- to death on a riverbank. But in its staunchly reflective storyline, The Third Murder is as much about the murder itself as it is about the killer's complex motif that underlines the elusiveness of truth, reason, justice and victimhood -- of crime and punishment.
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Once upon a time on the French Riviera
Life, Kong Rithdee, Published on 14/05/2019
» The spectacle ahead will -- hopefully (cinema sages are an optimistic bunch) -- be spectacular. The 72nd Cannes Film Festival opens tonight and there are all manner of curiosities to look forward to: an army of hipster zombies; Margot Robbie as Sharon Tate; Korean parasites; a Maradona doc; an Elton John biopic; Islamic extremism in Belgium; British miserabilism (Brexit and other demons); and, of course, Elle Fanning on the red carpet for 11 days straight, performing jury duty at the world's most reported, most hyped and most influential film festival.
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Gay cowboys and glorious flesh
Life, Kong Rithdee, Published on 19/05/2023
» After the lukewarm opening film -- Maiwenn's Jeanne Du Barry, a fluffy costume drama starring Johnny Depp as King Louis XV -- the 76th Cannes Film Festival had its hottest ticket in a short film. Not just any short though: it's Pedro Almodovar's queer cowboy movie Strange Way Of Life, which saw patient festival-goers queuing up in the Rivera drizzle for nearly an hour to fill up even the worst seat of Salle Debussy on Wednesday.
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10 films to watch out for
Life, Kong Rithdee, Published on 16/05/2023
» A fierce hijab girl, a Vietnamese pilgrimage, a Scorsese-DiCaprio team up and a new Cate Blanchett drama, Cannes Film Festival opens today with an eclectic taste of world cinema.
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