Showing 1-10 of 16 results
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Cut above the rest
B Magazine, Chanun Poomsawai, Published on 12/05/2019
» We first heard the name Cut The Crab back in 2014 when their single Mai Mee Kam Tob (Without Doubt) was featured in the Future Sound Of Bangkok's envelope-pushing debut compilation. Besides being one of the most forward-thinking records of that year, the compilation also gave us a sample of what local talents were capable of. Along with eclectic artists ranging from DCNXTR and Gramaphone Children (Jaree Thanapura) to Nolens.Volens. and Plastic Section, Cut The Crab stood out among the gifted bunch as a highly promising newcomer with a keen ear for electro-pop brilliance. Even though the band hasn't been exactly prolific over the past few years, the trio-turned-duo are now back at it with the release of their self-titled debut EP, a six-track collection that's been nearly half a decade in the making.
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The Pleasure's All Hers
B Magazine, Chanun Poomsawai, Published on 19/07/2020
» It might be nearly a decade ago, but the year 2012 would still go down in history as one of the most vital years for pop music.
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Small things considered
B Magazine, Chanun Poomsawai, Published on 23/06/2019
» In much the same way that eyes are said to be the window to the soul, band names give us a glimpse into the collective personality lurking behind each group. And as far as Thai band names are concerned, they can range from prosaic (Solitude Is Bliss, My Life As Ali Thomas) and whimsical (Apartment Khunpa, Charblues, Gym and Swim) to absolutely outlandish (Big Ass, Calories Blah Blah). For Sakon Nakhon-based trio Junlaholaan, names represent a curious juxtaposition where two incongruous concepts (jun, micro, and holaan, enormous) coexist to convey a deeply philosophical message. Yes, we are but a tiny speck in the universe -- the band seems to be saying -- but at the same time, a butterfly in Brazil could also cause a tornado in Texas, couldn't it?
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Get Bizzy
B Magazine, Chanun Poomsawai, Published on 23/09/2018
» In case you're unaware, the hip-hop scene in Thailand is blowing up right now. Underground talents are getting unprecedented exposure on mainstream TV reality shows The Rapper and Show Me The Money. All of this crazy hype can (and should) be credited to the Bangkok-based online community Rap Is Now, which has played an integral part in the re-emergence of the local hip-hop scene. Their infamous "battles", now in their fourth season, have bestowed upon us talents like UrboyTJ, Youngohm and Twopee Southside -- all of whom are currently basking in the glow of mainstream success.
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Widescreen memories
B Magazine, Chanun Poomsawai, Published on 20/01/2019
» Ever since I embarked on this music-criticism journey some five years ago, it's always been a personal mission of mine to be as diverse as possible when it comes to the albums I choose to review. While I'd like to think that mainstream and independent/left-field artists are equally given a chance to shine in this column, there's still a whole world of music out there that needs its due recognition. Which brings me to drummer-turned-piano virtuoso Eiko Ishibashi, a celebrated Japanese musician who, thanks to US-based label Drag City, is getting her releases outside of her native Japan.
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Nelly's Gone Indie
B Magazine, Chanun Poomsawai, Published on 09/04/2017
» The latest LP by the Canadian songstress sees her offering up a newfangled persona with the help of Grammy-winning producer John Congleton.
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End Come Too Soon
B Magazine, Chanun Poomsawai, Published on 19/11/2017
» Though it feels like an afterthought, a final EP by one of the most thrillingly cerebral UK art-rock outfits proves how much they will leave an unfillable dent in indie-rock.
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Down the Rabbit Hole
B Magazine, Chanun Poomsawai, Published on 12/03/2017
» The Sydney producer gets weird and wonderful on his most playful EP yet.
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A Room of One's Own
B Magazine, Chanun Poomsawai, Published on 10/07/2016
» The UK singer's moving sophomore album goes beyond her retro soul roots.
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A trip-hop down memory lane
B Magazine, Chanun Poomsawai, Published on 13/03/2016
» With help from Young Fathers and Azekel, the UK innovators of the 1990s manage to stay relevant on their latest EP.
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