Showing 1-10 of 14 results
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Feel the fear, again
Life, Kaona Pongpipat, Published on 23/03/2017
» Short review of Yuree Kensaku's "New Paintings" as the second phase of her "Atmosfear" exhibition at 100 Tonson Gallery: an anticlimax.
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Abstractions and acquaintances
Life, Kaona Pongpipat, Published on 09/03/2016
» As the title "Dusadee + Dusit + Lovers + Dead Ones" suggests, Dusadee Huntrakul's current exhibition at Chulalongkorn University's The Art Center is not exactly a solo show, but a bit of a reunion.
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Dance, theatre and economics
Life, Kaona Pongpipat, Published on 23/06/2016
» The title of French director and playwright Pascal Rambert's performance A (Micro) History Of World Economics, Danced (titled in Thai as Kin Yoo Kue) to be staged at Chulalongkorn University's Sodsai Pantoomkomol Centre for Dramatic Arts until Saturday as part of La Fête, is self-explanatory, yet also baffling.
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Unseen and not heard in the city
Life, Kaona Pongpipat, Published on 04/05/2016
» The massive space on the seventh floor of Bangkok Art and Culture Centre is now filled with a series of grainy and greyish photographs. Viewers should be warned that the experience there can be rather disorientating; not only are the photos random, they seem to have been arranged almost impulsively. Entitled "Omnivoyeur And Electrical Walks Bangkok", these photographs by Miti Ruangkritya only make up one part of the show, which is only complete when sounds by German sound artist Christina Kubisch are added.
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Being boxed in
Life, Kaona Pongpipat, Published on 18/09/2014
» The space at Democrazy Theatre Studio has now been filled with boxes. They're a major part in director Adjjima Na Patalung's latest production The Boxes, which opens on Saturday.
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Clay play
Life, Kaona Pongpipat, Published on 14/07/2016
» Bowls, dishes and cups are stripped of their original function in the exhibition "The Ceramic View Bangkok" at the National Gallery. Their forms are extorted, and at times, there are no recognisable shapes left at all. Ceramic, a material usually associated with kitchenware or decorative items, is employed in this show, as paint is by painters, to create pieces of art.
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Yearning for lost dreams
Life, Kaona Pongpipat, Published on 10/06/2015
» With shots of a shocking eyesore of a pink sofa, a rundown back room in what appears to be a cheap bar, and a group of scantily-clad young women under gaudy neon lights, British-Thai photographer Cattleya Jaruthavee infuses Kathmandu Photo Gallery with a sense of lost youth and impossible yearnings in her solo exhibition "Paused Dreams".
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Writing Asean's future
Life, Kaona Pongpipat, Published on 11/05/2015
» Thai national artist and prominent writer Prabhassorn Sevikul grieves over the state of Thai contemporary literature. He concedes that there no longer seems to be any serious literature, that works these days are mostly light and very commercial. He believes Thai popular contemporary literature is only for those who have won awards.
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At the threshold of art
Life, Kaona Pongpipat, Published on 10/09/2014
» On the right hand side is a storm of colours that invite you to ponder its intricacy. On the left is an aerial view of a landscape of forest and blue-gray water. These two massive three-panelled abstract works, by Joe Delaney and Soichiro Shimizu respectively, form the entrance to the recently-opened Bridge Art Space, the latest addition, following hot on the heels of Speedy Grandma and Soy Sauce Factory, to the growing art community in Charoen Krung.
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Many hats, much passion
Muse, Kaona Pongpipat, Published on 21/02/2014
» You can sometimes guess a person’s occupation just by observing how he or she looks, speaks or behaves. Unkempt or a tad dishevelled and keeps talking about the meaning or beauty of life? Maybe a writer or an artist. Well-groomed and has a smooth and pleasing way with words? Could be in business or a lawyer.
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