Showing 1-10 of 88 results
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The afterlife of Mitr Chaibancha
Life, Kong Rithdee, Published on 06/10/2023
» In an abrupt moment of life's brutal script, Mitr Chaibancha fell to his death from a helicopter ladder on Oct 8, 1970. He was filming Insee Thong (Golden Eagle), playing an anti-communist masked hero, when he slipped from the rung and plunged to the ground in Pattaya. That same evening, his body was transported to Wat Kae Nang Loeng. Thousands of people, unable to believe that Thailand's most famous actor was really, tragically dead, amassed impromptu at the temple and demanded that his corpse be raised from the coffin and shown to the public.
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Gay cowboys and glorious flesh
Life, Kong Rithdee, Published on 19/05/2023
» After the lukewarm opening film -- Maiwenn's Jeanne Du Barry, a fluffy costume drama starring Johnny Depp as King Louis XV -- the 76th Cannes Film Festival had its hottest ticket in a short film. Not just any short though: it's Pedro Almodovar's queer cowboy movie Strange Way Of Life, which saw patient festival-goers queuing up in the Rivera drizzle for nearly an hour to fill up even the worst seat of Salle Debussy on Wednesday.
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Of zombies and fairy tales
Life, Kong Rithdee, Published on 20/05/2022
» The opening films across the three programmes at the 75th Cannes Film Festival speak of disparate destinies of contemporary cinema, from the poetic to the political and the pointless. Let's start with the latter.
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A hint of political maturation
Life, Kong Rithdee, Published on 25/09/2018
» The Bangkok Art and Culture Centre has been put under bureaucratic pressure, its budget cut and its relations with Bangkok Metropolitan Authority strained. One way to support this hub of contemporary art in downtown Bangkok is simple: visit the place, admire the art and the events, and show that the city needs a modern, open-minded art and culture venue unshackled by the old guard.
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Art, revenge, despair
Life, Kong Rithdee, Published on 25/11/2016
» Tom Ford's Nocturnal Animals opens with a montage of naked, fat-rippling, extremely obese women, their bodies wrapped in the American flag as they dance to the beat. We then cut to the opening of an art exhibition featuring those naked women on platforms, curled up as live installation pieces, or as morbid glitz, an excess of grotesquerie amid the well-dressed LA crowd.
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Film studio cuts 'Arbat' to placate censor
News, Kong Rithdee, Published on 15/10/2015
» The studio that produces the banned film Arbat is working on a new cut to placate the censors and will submit the re-edited version to the committee by Friday, says the publicist.
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Filming history
Muse, Kong Rithdee, Published on 01/10/2016
» Anocha Suwichakornpong's first degree is in jewellery design, but you won't see any gleaming items on her. A small woman with a pixie cut, the film director is more interested in crafting images than making necklaces (or wearing one) -- and that's good for her and even better for us on this side of the screen. On a recent afternoon she showed up to meet us, and the long talk was about film, memory, feminism, frozen ovum, political heartbreak and how the scourge of history has found a way into her latest film.
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Come and see (no need to pray)
Life, Kong Rithdee, Published on 06/04/2021
» In an ordinary democracy, a film like Ehipassiko (in English, Come And See) shouldn't have had the least bit of worry about the possibility of being banned. The subject itself initially provoked the censors' impulse: this is a finely-tuned, patiently observed documentary about the controversial Wat Dhammakaya and the dramatic 2017 siege of the temple.
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Melancholy and absurdity
Life, Kong Rithdee, Published on 14/05/2021
» Chaitanya Tamhane was 27 years old when his breakthrough film Court became a critical sensation and won the Lion of the Future Award at the Venice festival in 2014. A film of understated power about India's Kafkaesque judicial tribulation, Court announced the arrival of an exceptional talent from Mumbai, a proud cinema city usually associated with rambunctious Bollywood titles.
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