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The evolution of khon
Life, Amitha Amranand, Published on 22/04/2021
» Choreographer Jitti Chompee's ongoing khon project, which includes Melancholy Of Demon, a dance performance that I reviewed earlier this month, is supported by the Ministry of Culture and departments and offices under its umbrella. This is a surprising level of governmental support granted to a contemporary dance artist who wants to do not-so-genteel things with khon and the character of Tossakan. I still remember how in 2006 the Ministry of Culture reportedly forced Somtow Sucharitkul to change the scene in his opera Ayodhya that depicted the death of Tossakan (Ravan in the opera version) onstage, a practice that is considered a bad omen in Thailand.
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Culture on a string
Life, Pichaya Svasti, Published on 29/10/2014
» While the epic Ramakien is told through nang talung, the art of shadow puppetry from southern Thailand, a shadow puppet from Hamburg, Germany, will portray a child waking up in the middle of the night.
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