Showing 1-10 of 27 results
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A stroll through nostalgia and hope
Life, Amitha Amranand, Published on 21/04/2022
» After the first Covid lockdown in Thailand in 2020, the first performance that brought Bangkok theatregoers back to the physical space was Fullfat Theatre's Save For Later. At that time, the number of cases in Thailand was at a negligible level, and the idea of physical distancing and other pandemic measures were still a novelty. These inconveniences and constraints inspired and pushed theatre artists to experiment and create. Digital technology had a large presence in live performances back then, even in on-site ones.
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It's a family affair
Life, Amitha Amranand, Published on 30/03/2017
» A Theatre Unit couldn't have picked a better venue for its latest play, Cheng-Meng. Because of its presence, the multidisciplinary art space Cho Why is currently home to a Thai-Chinese family, as normal and dysfunctional as any.
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Performance in the wild
Life, Amitha Amranand, Published on 26/05/2022
» For Kok Heng Leun, memories of Pulau Ubin, an island northeast of mainland Singapore, go as far back as when he was a teenager.
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Life's agonies, magnified three-fold
Life, Amitha Amranand, Published on 24/08/2017
» Theatre director Bhanbhassa Dhubthien may not be known for novel or subversive interpretations of plays, but she has always worked with good actors, from whom she draws out the kind of nuanced performances we don't often see here in Thailand. She has also worked with texts of varying degrees of difficulty and ripeness. So even when the writing fails, her actors can always steer the production from complete disaster.
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Keeping theatre alive
Life, Amitha Amranand, Published on 27/05/2020
» How do you prove to the government you're a theatre artist? When large gatherings are banned and theatres are closed and your work deemed non-essential, how does that affect your income ? Or does it? Are you eligible for the government relief fund Rao Mai Ting Kan then? Is theatre-making a job in Thailand to begin with?
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Questions for looking inward, outward and forward
Life, Amitha Amranand, Published on 24/12/2020
» At the end of each year, I usually end with a summary and pick of the best theatre productions of the year. However, 2020 has been such an unusual year for everyone, a year of cancelled performances, cancelled travel plans, and digital migration of festivals and panel discussions.
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Of madness and joy
Life, Amitha Amranand, Published on 25/11/2019
» We review two original works -- a Thai-language political satire and an English-language musical -- with LGBTQ central characters.
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Dance without a safety net
Life, Amitha Amranand, Published on 09/08/2018
» Choreographer Thanapol Virulhakul is adamant about creating performances that defy the definition of dance. In his "contemporary dance piece" Hipster The King, performers stand in a tableau for most of the show. In Happy Hunting Ground, the choreography consists mostly of jogging up and down the stage.
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Shows for all seasons
Life, Amitha Amranand, Published on 15/03/2018
» March kicked off with the return of French choreographer Jérôme Bel to Bangkok, bringing with him two productions to close the French Highlights #3. Then English-speaking theatre company Peel the Limelight celebrated International Women's Day with the premiere of their latest production of Agnes Of God in their new and larger venue, Peel the Limelight Studio, just across from their old home, Spark Drama Studio, at Jasmine City building in Asok. And Bangkok-based Japanese theatre artist Shogo Tanikawa founded his own theatre company Scene Zero and gave birth to a new play. Here are our reviews of these performances.
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The 'scene', in all its glory
Life, Amitha Amranand, Published on 28/12/2017
» It was a busy year for Thai theatre. Life highlights a few trends and picks the best productions of 2017
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