SEARCH

Showing 1-10 of 29 results

  • LIFE

    Asean Film Festival is finally here

    Life, Kong Rithdee, Published on 28/03/2024

    » Despite the odd, unexplained double postponement -- the first when it was moved from early December 2023 to late January 2024, and then from January to March -- the Bangkok Asean Film Festival finally gets under way, from today until Sunday at SF CentralWorld. Despite the adjournment, the line-up looks decent, with the best Southeast Asian titles culled from the past year -- Tiger Stripes, Inside The Yellow Cocoon Shell, Abang Adik, Dreaming And Dying, Oasis Of Now, Nowhere Near, Morrison, Thai classics The Adventure Of Sudsakorn and The Adulterer, and a short film competition.

  • LIFE

    Hear her roar

    Life, Kong Rithdee, Published on 26/05/2023

    » The image of a girl taking off her hijab is wrought with cinematic symbolism. Kamila Andini shows it in her Indonesian film Yuni (2021); Hesome Chemamah in his Thai short I'm Not Your F*cking Stereotype (2019); Ana Lily Amirpour in the Iranian vampire film A Girl Walks Home Alone At Night (2014). Subversion? Provocation? Liberation? At this year's Cannes Film Festival, we see that image in Amanda Nell Eu's Tiger Stripes, a work as playful as it is potent in its portrayal of adolescence and what it entails for a young woman's body.

  • LIFE

    Human traffic

    Life, Kong Rithdee, Published on 03/11/2017

    » Edmund Yeo started writing the film Aqerat before the word "Rohingya" would make world news headlines -- entirely for a distressing reason. Now the Malaysian film, which had its premiere in the main competition of the 30th Tokyo International Film Festival this week, has proved prescient as over 500,000 of Myanmar's Rohingya minority have fled violence for Bangladesh in one of the worst humanitarian catastrophes in years.

  • LIFE

    Asian talents score big at Cannes

    Life, Kong Rithdee, Published on 31/05/2023

    » From Japan to Malaysia by way of Vietnam, Asian filmmakers of disparate sensibilities triumphed at the recently-wrapped 76th Cannes Film Festival. The Palme d'Or may have gone to French filmmaker Justine Triet from her tense drama Anatomy Of A Fall, but six other awards handed out by the world's most influential film festival went to filmmakers from Asia, an unprecedented slate of recognition.

  • LIFE

    10 films to watch out for

    Life, Kong Rithdee, Published on 16/05/2023

    » A fierce hijab girl, a Vietnamese pilgrimage, a Scorsese-DiCaprio team up and a new Cate Blanchett drama, Cannes Film Festival opens today with an eclectic taste of world cinema.

  • LIFE

    Time for Asean films to shine

    Life, Kong Rithdee, Published on 08/12/2021

    » The pandemic notwithstanding, it has been a stimulating year for Southeast Asian cinema. Reflective, heartfelt and oddball new titles from Indonesia, Cambodia, Malaysia, Singapore and Thailand have won major prizes or become critical favourites at international film festivals throughout 2021. Now, many of these films are coming to the big screen in Thailand as the Bangkok Asean Film Festival 2021 (BAFF) is set to open tonight.

  • LIFE

    Some Southeast Asian picks from the Busan International Film Festival

    Life, Kong Rithdee, Published on 12/10/2018

    » How do Aceh and Japan, two places that seem unrelated, separated by a vast distance of land and sea, connect on the personal and historical level?

  • LIFE

    Starting with the script

    Life, Kong Rithdee, Published on 29/06/2017

    » Script development is key to successful movies, and good scripts are what filmmakers in Southeast Asia need. The first Southeast Asia Fiction Film Lab (or Seafic) has been conceived for the purpose of strengthening the quality of feature-length fiction films from the region, and after eight months, the programme is reaching its climax this weekend in Bangkok.

  • LIFE

    Journey into darkness

    Life, Kong Rithdee, Published on 03/04/2017

    » Aiman (Firdaus Rahman) is a young correctional officer recently transferred to a top Singaporean prison. At work he becomes fascinated by the menacing aura of a veteran hangman Rahim (Wan Hanafi Su). Soon the old man nearing his retirement begins to groom Aiman as his successor, but there's a deeper secret that binds the fate of the two men in a more disturbing way.

  • LIFE

    At Cannes, humour makes a surprise visit

    Life, Kong Rithdee, Published on 01/02/2017

    » Humour is hardly ever associated with Cannes competition films -- to win the Palme d'Or, for example, it's assumed a film should possess art house gravitas, serious humanity, or weighty, topical, discourse-stimulating subject matter (last year's winner, Dheepan, is about immigrants in Paris, and before that, the three-hour-long Turkish drama Winter Sleep).

Your recent history

  • Recently searched

    • Recently viewed links

      Did you find what you were looking for? Have you got some comments for us?