Showing 1-10 of 105 results
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Nang Nak at 20
Life, Kong Rithdee, Published on 26/07/2019
» Thai cinema saw a new horizon open 20 years ago up this month. On July 23, 1999, a little film called Nang Nak opened in cinemas. An adaptation of the country's most popular ghost tale about a wife who died in childbirth but stuck around as a spirit waiting for her husband to return from war, the film arrived carrying high hopes -- and exceeded all of them. Nang Nak, directed by Nonzee Nimibutr and written by Wisit Sasanatieng, unleashed an unprecedented momentum of enthusiasm and became the first Thai movie to blaze past the 100-million-baht mark at the box office.
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Asean Film Festival is finally here
Life, Kong Rithdee, Published on 28/03/2024
» Despite the odd, unexplained double postponement -- the first when it was moved from early December 2023 to late January 2024, and then from January to March -- the Bangkok Asean Film Festival finally gets under way, from today until Sunday at SF CentralWorld. Despite the adjournment, the line-up looks decent, with the best Southeast Asian titles culled from the past year -- Tiger Stripes, Inside The Yellow Cocoon Shell, Abang Adik, Dreaming And Dying, Oasis Of Now, Nowhere Near, Morrison, Thai classics The Adventure Of Sudsakorn and The Adulterer, and a short film competition.
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For a ghost of a chance, use your talisman
News, Kong Rithdee, Published on 01/10/2016
» On Wednesday Prime Minister Prayut Chan-o-cha talked for 135 minutes at the Bangkok Post Forum, more than Donald Trump and Hillary Clinton on Monday combined. And this isn't even an election campaign. A good soldier, he's unfazed by the presence of enemies and microphone. From the podium, arms outstretched, the PM touched on a lot of topics: Thai education, the economy, Section 44, Thailand as a "developed" country, the 20-year prophecy, etc. But what struck me like a hammer was when the general mentioned ghosts.
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Youth strike fear into old, cold hearts
News, Kong Rithdee, Published on 08/10/2016
» We can imagine the scene: Twenty policemen mobbed a 19-year-old boy arriving at the airport immigration. They took him to the detention quarters and kept him there, refusing communication, and consequently sent the entire world into a manhunt frenzy. Where's Joshua Wong? What has he done? Or more directly to the heart of the midnight stealth: What did the Thai authorities fear? Why did the mighty state have to send 20 officers -- not five, not 10, but 20 -- to whiz away a skinny boy on a red-eye flight? A boy whom I bet never won a fist-fight in his high-school yard.
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Revisiting Wong's dance of desire
Life, Kong Rithdee, Published on 30/10/2020
» Drenched with desire, Wong Kar-wai's In The Mood For Love feels like a plush, vivid dream lodged in the deepest recess of a lover's heart. Now, the heart is beating again and the dream is being projected on the big screen some 20 years after the film first stunned audiences at Cannes and launched a wave of copycats around Asia.
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To dump or not to dump
Life, Kong Rithdee, Published on 31/12/2019
» The title of a new Thai film is a bilingual wordplay: How To Ting is literally translated as "how to dump". That, I think, is sharper than its tired official English title, Happy Old Year. To dump or not to dump -- things and people, mementos and memories -- that is the question. In the film, a young designer who's dressed like a Muji model, and who has just returned from studying in the minimalist-paradise Sweden, plans to dump all useless objects from her maximalist Bangkok house, where she lives with her mother and brother, and to turn it into an all-white, supremely sparse and unapologetically decluttered interior nirvana -- a home office lifted straight from a Scandinavian style book.
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On unhappy women and clumsy hitmen
Life, Kong Rithdee, Published on 19/01/2018
» Pen-ek Ratanaruang's movies -- eight of them in the past 20 years and the ninth slated for a Feb 1 release -- are often inhabited by unhappy women and clumsy hitmen. Unhappy, yet those women are neither resigned nor passive. Clumsy, yet those hitmen have aspirations, dreams and worries like people in other respectable professions. A genre geek, Pen-ek likes crime thrillers, but one of Thailand's best-known directors is also a diligent investigator of human relationships and man-woman dynamics, their eccentric and mysterious rapport and misunderstandings that determine the course of the world, and of cinema.
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In Cannes, it's cinema as usual
Life, Kong Rithdee, Published on 17/05/2022
» After the cancellation in 2020 and a bump to the month of July in 2021 -- with smaller attendance as international travel was still interrupted -- the Cannes Film Festival returns to its usual mid-May slot, keyed up and fully prepped to show the world that it's cinema, and the cinema business, as usual.
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View from a veteran
Life, Kong Rithdee, Published on 24/03/2017
» The list of hits he has created in the past 20 years is long and staggering: Visute Poolvoralaks, perhaps Thailand's best-known film producer, is the man behind the renaissance of Thai cinema in the mid-1990s with Dang Bireley's And Young Gangsters, Nang Nak and Satree Lex, before becoming part of the hit-making machine GTH to push Fan Chan, Hello Stranger and the highest-grossing Thai film of all time, Phi Mak Phrakanong. Estimated box-office intake commandeered from his desk: nearly 2 billion baht.
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In search of the next hit
Life, Kong Rithdee, Published on 26/06/2015
» A string of box-office failures, an absence of hits, an onslaught of Hollywood blockbusters, an economic slump, the vacillating, unpredictable taste of audiences — all of this has plunged the Thai film industry into a gloom in the first half of 2015. Home-grown cinema can barely compete with the American juggernauts, but the past six months have been particularly wounding. Usually, Thai films take around 25% of the ticket sales, with Hollywood gobbling up the rest (the total box office value was around 4.5 billion in last year). This year, so far, local movies took a paltry 10%, according to industry analysts.
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