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Showing 1-8 of 8 results
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Art of Precarity
Life, Amitha Amranand, Published on 13/10/2022
» What is the possibility of art in a precarious and even dangerous environment? The answer could be found everywhere at documenta fifteen.
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In the presence of others
Life, Amitha Amranand, Published on 14/07/2022
» My experience with Samara Hersch's online version of Body Of Knowledge (At Home), which was part of Germany's Impulse Theater Festival last year, has since got me interested in the question of what it is we do in theatre as audience. In Body Of Knowledge, the audience engaged in conversations with teenagers via WhatsApp, they in their own home, we in ours. The performance made me more attuned to the act of listening -- something we do in theatre without thinking or being asked to.
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Pushing the limits
Life, Amitha Amranand, Published on 05/08/2021
» The first virtual theatre festival that I participated in was "Isra-Drama: International Exposure Of Israeli Theatre 2020". I had never been to Israel and I still have not been to Israel.
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Keeping theatre alive
Life, Amitha Amranand, Published on 27/05/2020
» How do you prove to the government you're a theatre artist? When large gatherings are banned and theatres are closed and your work deemed non-essential, how does that affect your income ? Or does it? Are you eligible for the government relief fund Rao Mai Ting Kan then? Is theatre-making a job in Thailand to begin with?
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Not entirely transfixing
Life, Amitha Amranand, Published on 07/06/2019
» For its second production, Qrious Theatre transplants the 2005 American film Transamerica to Thailand. TranS I-Am is an awkward US-to-Thailand and screen-to-stage adaptation, but it's sweet and offbeat enough to charm.
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Pearls of wisdom
Life, Amitha Amranand, Published on 22/05/2019
» Nana Dakin is a familiar name on the Thai theatre scene. The member of B-floor Theatre is known for her intelligent and sensitive pieces of physical theatre that deal with such issues as identity, migration and violence.
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Who's the hero here?
Life, Amitha Amranand, Published on 28/03/2019
» Scene Zero's Shogo Tanikawa emerges with another play about outsiders. While last year's 4 Seasons draws sensitive and convincing portraits of Thai immigrants in Japan, this year's Hero gives us characters that are either blurry or just plain ludicrous.
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No comfort for young women
Life, Amitha Amranand, Published on 17/08/2018
» One of the biggest issues commanding media attention in the past year has been that of gender violence. And Peel the Limelight has dedicated this year to staging plays that shed light on the topic from different angles, starting with a production of Agnes Of God, about a young nun with a history of abuse. That was followed by I Am My Own Wife, a one-person play about the life of a transgender woman during World War II and the Communist regime in East Berlin.
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