Showing 1-10 of 82 results
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Celebrating three decades of discovery
Life, John Clewley, Published on 27/02/2024
» World Beat celebrates 30 years on the music trail this month. The column started in Feb 1994 when Chuan Leekpai of the Democrat Party was in his first term as Prime Minister.
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A tribute to Jamaican heritage
Life, John Clewley, Published on 30/01/2024
» Studio One, one of Jamaica's most influential recording studios and labels, was founded by Clement "Coxsone" Dodd in the 1950s on Brentford Road, Kingston. His first recordings were made in 1963 and for the next 20 years, he would help reshape Jamaican popular music and propel it around the world.
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The sound of a new era
Life, John Clewley, Published on 16/01/2024
» It's been eight years since Paradise Bangkok Molam International Band released their last studio album Planet Lam, in 2016. This followed their debut album 21st Century Molam, released in 2014. In early December, the band soft-launched a vinyl version of their new album Arayalam on the Zudrangma Records label.
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A joyous sound
Life, John Clewley, Published on 07/11/2023
» In 2001, the legendary US Gospel group Blind Boys of Alabama released an album on Peter Gabriel's Real World Records label. It was a hugely popular album which garnered the band a Grammy Award for Best Traditional Soul Gospel Album. It included their version of Tom Wait's song Way Down In The Hole, which was the theme song for the TV miniseries The Wire. Their version is better than Waits' in my view.
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House of the rising Son
Life, John Clewley, Published on 27/09/2022
» Son House is regarded as one of the greats of early blues, along with early recording stars like Charley Patton and Robert Johnson. He made 78rpm records in the 1930s but a spell in penitentiary halted his career and by the 1940s he had abandoned recording. It wasn't until 1964 that Nick Perls, Dick Waterman and Phil Spiro "rediscovered" him working at a gas station. He was completely unaware of the interest in folk blues at the time (Skip James and Bukka White were already playing crossover folk clubs).
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Spellbinding collaboration proves less is more
Life, John Clewley, Published on 21/06/2022
» I once had the rare privilege to see the great bluesman and songwriter Earl King, who wrote the New Orleans Mardi Gras anthem Big Chief, perform in a small club in Tokyo. Before he took to the stage another band performed, with a well-known young blues guitarist playing fast action licks and riffs at breakneck speed. In complete contrast, when Earl King played guitar he played far fewer notes, paring down the music to its essentials. I can still remember King's playing, but I can't recall anything the young pretender played.
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Stories of migration and hope
Life, John Clewley, Published on 12/09/2023
» In 2016, the Royal Conservatory of Music in Toronto invited musicians, mainly immigrant musicians, to audition for a new global orchestra.
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Root of the matter
Life, John Clewley, Published on 20/07/2023
» Earlier this year, Craft Recordings released the 2CD compilation Birth Right: A Black Roots Music Compendium with the aim of introducing the astonishing variety and depth of black roots music in the US in just 40 songs. Historian Dr Ted Olson and producer Scott Billington have done a great job of presenting a wide range of styles and genres -- from trad jazz to gospel to Louisiana la-la to Gullah music to country blues to brass bands. It's a fascinating musical ride for the listener.
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The beat of Soweto
Life, John Clewley, Published on 04/07/2023
» Simon "Mahlathini" Nkabinde, known as the "Lion Of Soweto", was not allowed to leave South Africa until the mid-1980s, when he was invited to perform at a pioneering festival of music in Angouleme, France, along with the three Mahotella Queens, the musical engine the Makgone Tsohle Band, and producer and saxophonist West Nkosi.
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Old classics revived with high-tech edge
Life, John Clewley, Published on 02/02/2021
» The Penguin Encyclopedia Of Popular Music released in 1991, edited by Donald Clarke, has more than 3,000 entries on rock, rock'n'roll, folk, soul, R&B, gospel, country and swing, and a whole host of lesser-known genres. Musicians, songwriters and producers are all in this tome.
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